A Confession of St. AugustineHowells, William Dean
History
A Confession of St. Augustine
Howells, William Dean
Saint Augustine (Fla.) -- Guidebooks
undergraduates romping at their noonday games in the open galleries. One
night we went to a dramatic performance in the school given by a
sisterhood of young people from the outside under the nuns’ auspices,
with blameless dances and instructive mythological tableaux. When we
would not wait for the play which was to follow these we were stayed by
one of the girl pupils and entreated to remain; the play was going to be
the best thing of the whole evening; and now I am sorry we did not
remain.
Such spare incidents were the most salient events of our sojourn, which
I could easily pretend was full of much more startling experiences. St.
Augustine is indeed the setting of almost any most dramatic fact, as the
companies of movie-players, rehearsing their pantomimes everywhere, so
recurrently testified. No week passed without the encounter of these
genial fellow-creatures dismounting from motors at this picturesque
point or that, or delaying in them to darken an eye, or redden a lip or
cheek, or pull a bodice into shape, before alighting to take part in the
drama. I talk as if there were no men in these affairs, but there were
plenty, preferably villains, like brigands or smugglers or savages, with
consoling cowboys or American cavalrymen for the rescue of ladies in
extremity. Seeing the films so much in formation, we naturally went a
great deal to see them ultimated in the movie-theaters, where we found
them nearly all bad. In this I do not suppose that they differed from
the movie-drama elsewhere, or that they were more unfailingly worthless.
They were less offensive as they were more romantic; when they tried to
be realistic they illustrated the life of crime in the East, and of
violence in the West. There was very little comedy, but one night, in
the representation of a medieval action, an involuntary stroke of
burlesque varied the poetry of the love interest when the mechanical
piano, which had been set to the music of the tango, continued that
deplorable strain while the funeral of a nun slowly paced through the
garden of the convent to the chapel. The general vulgarity and worse
seemed the more pity because the theaters were always well filled not
only with prouder visitors from the great hotels, and the friendly
roomers from everywhere, but with nice-looking townspeople, who had
brought their children with them when they had not let them come alone.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account