A Counterfeit Presentment; and, The Parlour Car — John Shaqi
A Counterfeit Presentment; and, The Parlour CarHowells, William Dean
General
A Counterfeit Presentment; and, The Parlour Car
Howells, William Dean
American drama -- 19th century; Man-woman relationships -- Drama
_Bartlett._--"Oh-h-h-h!" He scratches his head in visible stupefaction.
Then with reanimation: "I see. It was my error. _I_ was looking for
middle distance, and _you_ had been working on the foreground. Very
good; very-- Oh, gracious powers--No, no! Don't be discouraged, Miss
Wyatt; remember it's the first time you've attempted anything of the
sort, and you've really done very well. Here!" He seizes the pencil and
draws. "We will just sink these hay-stacks,--which are very good in
their way, but not perhaps sufficiently subordinated,--just sink them
into the lake yonder. They will serve very well for the reflections of
those hills beyond, and now you can work away at some of the details of
the foreground; they will interest you more." He retires a pace. "It's
really not a bad start as it is."
_Constance_, ruefully.--"But it's all yours, Mr. Bartlett."
_Bartlett._--"Eh?"
_Constance._--"You drew every line in it."
_Bartlett._--"No, you drew the line of the distant hills."
_Constance._--"But I didn't mean it for that!"
_Bartlett._--"Well, well; but the lady's figure, that was good"--
_Constance._--"You turned her into a clump of birches."
_Bartlett._--"True. A mere exigency of the perspective. The
hay-stacks"--
_Constance._--"You've just sunk them into the lake!"
_Bartlett._--"Well, well. Perhaps I may have helped in the execution of
the picture, a little. But my dear Miss Wyatt, the _drawing_ is nothing;
it's the _design_ is what makes the picture, and that's _entirely_
yours; the ideas were all _yours_. Come! Try your hand now at the shore
line of the lake, just here."
_Constance._--"I'm afraid I'm a little tired. My hands are cold."
_Bartlett._--"Oh, I'm sorry!" He takes one of them and places it
between either of his. "That shows you've been working too hard. I can't
allow that. All the art in the world isn't worth--I mustn't forget that
you have not been well; and I want these little lessons to be a pastime
and not a burden to you. The picture's sufficiently advanced now"--he
mechanically puts her hand under his left arm, and keeps his own right
hand upon it, while he takes his station with her in front of the
easel--"to warrant us in trying a little colour to-morrow. You'll be
very much more interested in colour. It _is_ refreshing to get at the
brushes after you've tired yourself out with the black and white. You've
got a very pretty outfit, there, Miss Wyatt." He indicates her colours
on the little table.
_Constance._--"I didn't mean to refuse the offer of your paints, but I
thought it would be better to have the colours _perfectly fresh_, you
know."
_Bartlett._--"Quite right. Quite right. Now you see-- Rest on _me_, Miss
Wyatt, or I shall be afraid of fatiguing you by standing; and I'd like
to point out a few things for you to begin on here to-morrow."
_Constance._--"Oh, I'm not _very_ tired. But I _will_ keep your arm if
you will let me."
Public-domain text, read in full here on John Shaqi.
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