A Counterfeit Presentment; and, The Parlour CarHowells, William Dean
General
A Counterfeit Presentment; and, The Parlour Car
Howells, William Dean
American drama -- 19th century; Man-woman relationships -- Drama
_Bartlett._--"Shall you like me better at that distance?"
_Constance._--"I can't let you make a joke of our liking for you."
_Bartlett._--"You defend me, even in my presence. What kindness I must
miss when I'm absent! Well, I will go and see what interests General
Wyatt."
_General Wyatt._--"Madame Le May? Yes, certainly. Remember her
perfectly. False hair, false teeth, false"--
_Constance._--"Why, what _are_ you talking of, papa?"
_General Wyatt._--"Mayo. Capital cavalry officer--cutting down the pay
of such a man"--
_Constance._--"What _are_ you reading?" The General makes no answer.
_Bartlett._--"Don't disturb him. I'll walk off here at this end of the
room." He paces softly up and down, while Constance returns to her
drawing, to which she diligently applies herself. A thought seems to
strike Bartlett as his wandering eye falls upon General Wyatt, who still
sits with his head buried in his newspaper. He approaches, and remarks
in a low tone: "I believe I _will_ take a cigar _now_, Gen--" The
newspaper falls slightly, and Bartlett makes a discovery. The General
has dropped off into a doze. With a gesture of amusement, Bartlett
restores the paper to its place, and resumes his walk in a quiet
rapture, interrupting it now and then to dwell in silent adoration on
the young lady's absorption in the fine arts.
_Constance._--"Mr. Bartlett"--
_Bartlett_, halting.--"Recalled from exile already? Well?"
_Constance._--"I'm afraid I can't get by this point alone."
_Bartlett._--"Yes? Let's see it." He eagerly crosses the room, takes his
stand behind her, and throws up his hands in despair. Constance
indicates her difficulties.
_Constance._--"The question is how to get in some idea of those slopes
of the mountain. These things seem to crowd everything out."
_Bartlett_, hopelessly regarding the work.--"I see. You have been
composing a little,--idealising. Well, I don't object to that. Though
perhaps it had better come later. This long stretch of rocky cliff"--
_Constance._--"Rocky cliff?"
_Bartlett._--"Isn't in nature, but it might have a good effect if
properly utilised"--
_Constance._--"But it isn't rocky cliff, Mr. Bartlett. It's"--
_Bartlett_, looking a second time, and more closely.--"Why, of course!
It's that stretch of broken woodland at the foot of the mountain. Very
good; very good indeed; very boldly treated. Still, I should say"--
_Constance_, in desperation.--"Oh, Mr. Bartlett, it _isn't_ rocks, and
it isn't _woods_; it's--_hay-stacks_!"
_Bartlett._--"Hay-stacks?"
_Constance_, desolately.--"Yes, hay-stacks."
_Bartlett._--"But hay-stacks at the foot of the mountain, Miss Wyatt"--
_Constance_, inconsolably.--"They're _not_ at the foot of the mountain.
They're those hay-stacks, just out there in the meadow. I thought it
would be nice to have them in near that clump of birches you drew."
Public-domain text, read in full here on John Shaqi.
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