A Counterfeit Presentment; and, The Parlour CarHowells, William Dean
General
A Counterfeit Presentment; and, The Parlour Car
Howells, William Dean
American drama -- 19th century; Man-woman relationships -- Drama
_Bartlett._--"It's quite impossible to compute the number of jilted
girls who take the line you describe. But if it were within the scope of
arithmetic, I don't know that a billion of jilted girls would comfort me
or reform me. I never could regard myself in that abstract way--a mere
unit on one side or other of the balance. My little personal snub goes
on rankling beyond the reach of statistical consolation. But even if
there were any edification in the case of the young lady in Paris, she's
too far off to be an example for me. Take some jilted girl nearer home,
Cummings, if you want me to go round sickening and sorrowing in secret.
I don't believe you can find any. Women are much tougher about the
pericardium than we give them credit for, my dear fellow,--much. I don't
see why it should hurt a woman more than a man to be jilted. We shall
never truly philosophise this important matter till we regard women with
something of the fine penetration and impartiality with which they
regard each other. Look at the stabs they give and take--they would kill
men! And the graceful ferocity with which they despatch any of their
number who happens to be down is quite unexampled in natural history.
How much do you suppose her lady friends have left of that poor girl
whose case wrings your foolish bosom all the way from Paris? I don't
believe so much as a boot-button. Why, even your correspondent--a very
lively woman, by the way--can't conceal under all her indignation her
little satisfaction that so _proud_ a girl as Miss What's-her-name
should have been jilted. Of course, she doesn't say it."
_Cummings_ hotly.--"_No_, she doesn't say it, and it's not to your
credit to imagine it."
_Bartlett_, with a laugh.--"Oh, I don't ask any praise for the
discovery. You deserve praise for not making it. It does honour to your
good heart. Well, don't be vexed, old fellow. And in trying to improve
me on this little point--a weak point, I'll allow, with me--do me the
justice to remember that I didn't flaunt my misanthropy, as you call it,
in your face; I didn't force my confidence upon you."
_Cummings_, with compunction.--"I didn't mean to hurt your feelings,
Bartlett."
_Bartlett._--"Well, you haven't. It's all right."
_Cummings_, with anxious concern.--"I wish I could think so."
_Bartlett_, dryly.--"You have _my_ leave--my request, in fact." He
takes a turn about the room, thrusting his fingers through the hair on
his forehead, and letting it fall in a heavy tangle, and then pulling at
either side of his parted beard. In facing away from one of the sofas at
the end of the room, he looks back over his shoulder at it, falters,
wheels about, and picks up from it a lady's shawl and hat. "Hallo!" He
lets the shawl fall again into picturesque folds on the sofa. "This is
the spoil of no local beauty, Cummings. Look here; I don't understand
this. There has been an arrival."
Public-domain text, read in full here on John Shaqi.
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