A Counterfeit Presentment; and, The Parlour CarHowells, William Dean
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A Counterfeit Presentment; and, The Parlour Car
Howells, William Dean
American drama -- 19th century; Man-woman relationships -- Drama
_Cummings_, joining his friend in contemplation of the hat and shawl:
"Yes; it's an arrival beyond all question. Those are a _lady's_ things.
I should think that was a Paris hat." They remain looking at the things
some moments in silence.
_Bartlett._--"How should a Paris hat get here? I know the landlord
wasn't expecting it. But it can't be going to stay; it's here through
some caprice. It may be a transient of quality, but it's a transient. I
suppose we shall see the young woman belonging to it at dinner." He sets
the hat on his fist, and holds it at arm's length from him. "What a
curious thing it is about clothes"--
_Cummings._--"Don't, Bartlett, don't!"
_Bartlett._--"Why?"
_Cummings._--"I don't know. It makes me feel as if you were offering an
indignity to the young lady herself."
_Bartlett._--"You express my idea exactly. This frippery has not only
the girl's personality but her very spirit in it. This hat looks like
her; you can infer the whole woman from it, body and soul. It has a
conscious air, and so has the shawl, as if they had been eavesdropping
and had understood everything we were saying. They know all about my
heart-break, and so will she as soon as she puts them on; she will be
interested in me. The hat's in good taste, isn't it?"
_Cummings_, with sensitive reverence for the millinery which his friend
handles so daringly.-- "Exquisite it seems to me; but I don't know about
such things."
_Bartlett._--"Neither do I; but I feel about them. Besides, a painter
and glazier sees some things that are hidden from even a progressive
minister. Let us interpret the lovely being from her hat. This knot of
pale-blue flowers betrays her a blonde; this lace, this mass of silky,
fluffy, cob-webby what-do-you-call-it, and this delicate straw fabric
show that she is slight; a stout woman would kill it, or die in the
attempt. And I fancy--here pure inspiration comes to my aid--that she is
tallish. I'm afraid of her! No--wait! The shawl has something to say."
He takes it up and catches it across his arm, where he scans it
critically. "I don't know that I understand the shawl, exactly. It
proves her of a good height,--a short woman wouldn't, or had better not,
wear a shawl,--but this black colour: should you think it was mourning?
Have we a lovely young widow among us?"
_Cummings._--"I don't see how it could go with the hat, if it were."
_Bartlett._--"True; the hat is very pensive in tone, but it isn't
mourning. This shawl's very light, it's very warm; I construct from it a
pretty invalid." He lets the shawl slip down his arm to his hand, and
flings it back upon the sofa. "We return from the young lady's heart to
her brain--where she carries her sentiments. She has a nice taste in
perfumes, Cummings: faintest violet; that goes with the blue. Of what
religion is a young lady who uses violet, my reverend friend?"
_Cummings._--"Bartlett, you're outrageous. Put down that hat!"
Public-domain text, read in full here on John Shaqi.
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