A Creature of the Night: An Italian EnigmaHume, Fergus
Philosophy
A Creature of the Night: An Italian Enigma
Hume, Fergus
British -- Italy -- Fiction; Mystery fiction
A circular chamber, not very large, but very lofty, surrounded by
eight half-pillars of veined white marble built into the wall, and
supporting a domed ceiling richly painted with garlands of flowers,
from amid which peered the smiling faces of beautiful women. Between
these noble pillars hung voluminous draperies of darkly red velvet,
all magnificently embroidered with fantastic designs in tarnished gold
thread, but, curiously enough, the apartment had no windows, neither
in the ceiling nor at the sides, so whatever took place within could
not be seen save through the curtained archway.
In the centre of the white marble floor stood a low, heavy table,
richly gilt, and covered with the remains of a splendid feast. The
gorgeousness of the vessels thereon was truly marvellous, consisting,
as they did, of elaborately chased silver epergnes filled with
brilliantly-coloured fruits; many-branched candelabra of gold, bearing
slender wax tapers to illuminate the apartment; gracefully carved
jugs, of wonderful designs which must have emanated from the brains of
Cellini himself; and strangely shaped antique goblets which put me in
mind of the sacramental cups used in Italian churches at the
celebration of the mass. The voluptuous scent of sandalwood pervaded
the heavy atmosphere of the chamber; gold and silver and crystal shone
in the mellow light of the myriad tapers, and the whole appearance of
this sensuous banquet was like those of former ages presided over by
Can Grande or splendour-loving Cæsar Borgia. I thought I was in
dreamland, the more so when I saw the bizarre costumes worn by the two
occupants of the room.
One was the lady I had followed from the graveyard, who, having thrown
off her heavy cloak, now appeared in a white silk dress of antique
cut, richly embroidered with gold. Round her slender neck she wore an
old-fashioned necklace of superb rubies, set in silver, which flashed
forth crimson flame with every heave of her snowy bosom, while strings
of soft-shining pearls were twisted in her magnificent red hair; an
Eastern girdle of gold fretwork encircled her waist, and broad gold
bracelets radiant with gems clasped her milk-white arms. The profusion
of jewels she wore scintillated, with her every motion, throwing out
sparks of many-coloured fire, and she looked like one of those proud
dames of Venice who smile so haughtily in the pictures of Titian. But
her face! Oh, heavens! what a beautiful, cruel, relentless face!--the
tigerish look in the splendid eyes, the wicked laugh of the full red
lips! Was she truly a woman, or some fiend sent upon earth to lure men
to hell by the fascination of her evil beauty?
Public-domain text, read in full here on John Shaqi.
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