A Creature of the Night: An Italian EnigmaHume, Fergus
Philosophy
A Creature of the Night: An Italian Enigma
Hume, Fergus
British -- Italy -- Fiction; Mystery fiction
If the woman was curiously dressed for modern days, her companion, a
handsome young man of seven-and-twenty was still more so, as he wore a
doublet of pale-blue velvet slashed with white satin and diapered with
gold embroidery; a small ruff round his neck; high riding-boots of
black leather, reaching to the thigh, with gilt spurs; and a short
mantle of azure silk, which drooped gracefully from his shoulders. He
had no rapier, but at his girdle hung a small poniard, the handle of
which was thickly encrusted with gems, and on the velvet-covered chair
beside him lay a large cloak and a small mask of black velvet. I
rubbed my eyes and pinched myself to see if I were really awake, for
the whole fantastic scene looked like one of those which had doubtless
taken place at Verona in the opulent days of her splendour.
"I am mad, asleep, or intoxicated," I thought, as I looked at this
Boccaccian feast, at these Boccaccian lovers. "What does it mean? This
must be the phantom of Lucrezia Borgia, who has risen from the tomb to
meet one of her dead lovers and renew for a time the joys of the past.
Oh! I am mad or asleep. I will wake up and find this is all a
dream--some fantasy of the brain created by the delirium of fever!"
Between the lovers lay the broken mandolin, and the woman, pointing to
this, talked volubly while the young man stood listening with a
scornful smile on his lips. Not being a very good Italian scholar, I
could not follow all this rapid talk without great difficulty, but
from what I could gather it seemed to me that the phantom of Lucrezia
Borgia was accusing her lover of infidelity. At length, when she
seemed exhausted, he caught up his mantle and mask as if about to go,
but she fell prostrate before him, and seemed to implore him to stay.
He shook his head, and then springing to her feet in anger, she
snatched the poniard from his belt and tried to strike him. The young
man warded off the thrust with his left arm, round which was wrapped
his heavy black cloak, whereupon she let the dagger fall and began to
beseech him again. I could not understand the meaning of this terrible
dumb-show any more than I could the curious dresses, the antique
chamber or the deserted palace. It was the phantasmagoria of a dream
seen by the soft light of the tapers, and my brain being quite upset
by the strange events of the night, I entirely forgot the nineteenth
century, and seemed to live, to breathe, to tremble, on the threshold
of one of those fatal chambers wherein the Medici, the Scaligers and
the Borgias feasted, loved, betrayed, and slew their friends, their
lovers, and their enemies.
Public-domain text, read in full here on John Shaqi.
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