A Creature of the Night: An Italian EnigmaHume, Fergus
Philosophy
A Creature of the Night: An Italian Enigma
Hume, Fergus
British -- Italy -- Fiction; Mystery fiction
I had certainly gone to the old burial-ground and had seen the phantom
of Lucrezia Borgia emerge from an old Veronese tomb, and as certainly
I had followed her to the Piazza Vittoria Emanuele, but here, without
doubt, reality ended and fiction began. Evidently I had sat down upon
the stone bench where I was discovered by the peasants, and had there
fallen asleep to undergo this extravagant adventure in a vision of the
night. In sleep I had dreamed a dream after the fashion of the
Athenian lovers in Shakespeare's comedy, and the antique chamber, the
quaint costumes, and the phantom characters had been idle visions of
the brain, which had played their several parts in this mediæval
phantasmagoria.
To put entirely to one side the impossibility of living people
dressing themselves in rococo costumes in order to play a fantastic
comedy-tragedy in a deserted place, if I had really seen all I
imagined, how did I find myself in the Piazza Vittoria Emanuele at
daybreak? The visionary pursuit of the lady of the sepulchre had been
a long one, and I certainly could not have walked back such a distance
to the Piazza without knowing something about it. But memory ceased at
my fainting at the door of the fatal chamber, and revived on my
finding myself on the stone bench in the Piazza; therefore, granting
that the whole adventure had actually occurred, how had I been taken
from the deserted palace to the Piazza?
Idling over my midday meal at the Hotel d'Este, I thought of the
extraordinary series of events in which I had taken part, and kept
puzzling my brain as to whether they had really occurred or whether I
had been the victim of a grotesque nightmare. I had received a letter
from the Maestro Angello, saying he could not give me my usual lesson,
therefore I determined to devote the whole day, which was thus at my
disposal, to finding out the truth or falsehood of this mysterious
adventure.
My bruises were very painful, but I doctored myself as I best could,
so that without much difficulty I was able to walk. Doubtless I had
received these bruises whilst pursuing the unknown from the graveyard
to the Piazza Vittoria Emanuele, and thus far I was certain of the
actuality of my adventure. With this idea in my head, I made up my
mind to go to the old graveyard and discover, if possible, who was
buried in the tomb from which the ghoul had emerged. By finding out
the name I might possibly ascertain that of the lady, as there must
certainly have been some connection between her and the person buried
in the mysterious vault. No sooner had I thus sketched out my plan of
action than I put it at once into execution, and as I found some
difficulty in walking, I sent for Peppino's fiacre in order to drive
to the cemetery.
Public-domain text, read in full here on John Shaqi.
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