A Creature of the Night: An Italian EnigmaHume, Fergus
Philosophy
A Creature of the Night: An Italian Enigma
Hume, Fergus
British -- Italy -- Fiction; Mystery fiction
Peppino was a merry little Florentine, whose services I employed for
two reasons, one being that he spoke excellent Italian, so that I
understood him easier than I did the general run of these Northern
Italians, who usually gabble a vile patois which no Englishman can
understand without constant practice, and my acquaintance with the
modern Latin tongue was not sufficient to warrant my indulging in
liberties with it; the other reason was that Peppino, having lived a
long time in Verona, knew the town thoroughly, and would be able to
tell me better than any one if such a deserted palace as I had dreamed
of really existed; besides which, he was also a very amusing
companion.
The fiacre duly arrived, and on going outside I found Peppino grinning
like a small black monkey as he held the door open for me to enter.
"Dio!" said Peppino in a commiserating tone, seeing how I leaned on my
stick, "is the Signor not well?"
"Oh, yes! quite well, Peppino, only I fell yesterday and hurt myself,
so you see I have to get you to drive me to-day."
"Bene!" replied Peppino philosophically, mounting the box, "the ill of
one is the good of another. To where, Signore?"
"To the cemetery near the Porto Vittoria."
"The new or the old one, Signore?"
"The old cemetery!"
Peppino cast a queer look at me over his shoulder, and, muttering
something about the "mad English," drove away towards the Via Pallone.
As he was on the box-seat, and the fiacre made a good deal of noise
going over the rugged stone pavement, in addition to the incessant
jingling of the bells, I could not question him as I desired to do,
so, making up my mind to wait until I arrived at the graveyard, I
leaned back in the carriage and gave myself up to my own thoughts.
Then a curious thing occurred which made me certain that the events of
the previous night had actually taken place, for without the least
effort of memory on my part the strange melody sung by the young man
in the palace came into my head. I could not possibly have dreamed
that, and I could not possibly have composed the air, so I concluded
that I had really heard the song, and, having an excellent musical
ear, it had impressed itself on my memory. Of course I did not
recollect the words, but only the tune, and thinking it might prove
useful as a link in the chain of circumstances, I hummed it over twice
or thrice so as to keep it in my mind.
I therefore concluded from this piece of evidence that I had actually
been to the deserted palace and witnessed that strange feast, but if
so, how had I found myself at dawn in the Piazza Vittoria Emanuele? It
was no use puzzling my brains any more over this mysterious affair, so
the wisest plan would be to wait until I found out the name on the
tomb, and then perhaps Peppino would be able to tell me about the
palace, in which case, with these two facts to go on, I might hope to
discover the meaning of these extraordinary events.
Public-domain text, read in full here on John Shaqi.
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