A Creature of the Night: An Italian EnigmaHume, Fergus
Philosophy
A Creature of the Night: An Italian Enigma
Hume, Fergus
British -- Italy -- Fiction; Mystery fiction
Peppino was as obstinate as a mule in his fear of ghosts, so leaving
him to smoke his long Italian cigar and watch the brown lizards
scuttling over the hot stones in the sunshine, I advanced towards the
palace with the determination to find out the secret chamber. As I
knew it would be dark therein, owing to its want of windows, I had
taken the precaution to provide myself with a candle and a box of
matches. Feeling that these were safe in my pocket, I went to the iron
gate and entered the courtyard in the same way as I had done on that
night. This time, however, I examined the ironwork, and found to my
surprise that the missing bar had been half filed through and then
wrenched away. The marks left were quite fresh, and it had been done
so recently that the bar had not had time to grow rusty. This
discovery astonished me not a little, as I did not see the reason of
such an entrance being made. If it were the Contessa who used the
palace, she would have the key of the side door, and could thus admit
herself and her lover at her pleasure, while this breach could only
have been made by some one who could not enter in any other way.
I thought of the person into whose arms I had fallen, the person who
had placed a handkerchief wet with some liquid over my face, and
although, according to Peppino's story, this watcher at the door was
the phantom of Count Mastino Morone, yet dismissing such an
explanation as due to superstition, I began to think that another
person had followed the lady of the sepulchre besides myself. Yes,
there could be no doubt about it, some third person had tracked her to
the palazzo, and, unable to enter in the ordinary way, had filed
through and broken the iron bar in the gate. Gaining access to the
interior of the palazzo in this way, the unknown had penetrated to the
secret chamber, and doubtless had witnessed the same strange scene as
I had done. My presence had been discovered, and to preserve for some
unknown reason, the secret of this terrible chamber, I had been
seized, rendered insensible by chloroform, and taken to the Piazza
Vittorio Emanuele, so that I would be unable to re-discover the
Palazzo Morone.
All these thoughts flashed through my brain with the rapidity of
lightning, and I wondered whom this unknown could be--a friend of
Pallanza? an accomplice of the Contessa! I did not know what to think,
so leaving all such conjectures to a more seasonable time, I crossed
over the dreary courtyard and entered the great hall.
Public-domain text, read in full here on John Shaqi.
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