A Creature of the Night: An Italian Enigma — John Shaqi
A Creature of the Night: An Italian EnigmaHume, Fergus
Philosophy
A Creature of the Night: An Italian Enigma
Hume, Fergus
British -- Italy -- Fiction; Mystery fiction
It was a magnificent entrance, and when thronged with courtiers,
men-at-arms, pages, and ladies, must have presented a noble
appearance. Of enormous size, the high walls and lofty roof were
painted with glowing frescoes representing the ancient glories of the
Republic, and the floor was brilliant with gorgeous mosaics of
coats-of-arms and fantastic figures. The painted windows on either
side of the huge portal blazed with variegated tints, and the bright
sun streaming in through the glass--as many-coloured as Joseph's
coat--dyed the floor with vivid lights and gaudy hues. Ancient
tapestries hung here and there between the two lines of black marble
columns running down the sides of the hall, and the wind, stealing in
through the open door, shook the grey dust from these mouldering
splendours of the loom. At the end of this immense vestibule arose a
broad staircase of white marble with balustrades of elaborate bronze
fretwork, and from the first landing two other flights sloped off to
right and left of the main branch. All the air was filled with
floating shadows, the soft wind moved the hangings without sound, and
I was alone in the deserted hall, over which brooded an intense
silence, which made me shiver in the chill atmosphere pervading this
abode of desolation.
However, the afternoon was passing quickly, and as I had plenty to do
before nightfall, I rapidly ascended the shallow stairs. Turning to
the right, which was the way the unknown lady had taken the other
night, I soon found myself in the long corridor with the windows
looking out on to the courtyard. Many of these were broken, but others
were quite whole, their colours as bright and glowing as when they had
first been placed there.
At the end of the corridor I turned to the left, and found the short
flight of shallow steps, which, however, led up into darkness, so that
before ascending them I had to light my candle. Luckily there were no
draughts, for the air was absolutely still, and the flame of my candle
burned clear and steadily. Up these steps I went, entered the short
corridor, and paused before the heavy door which gave admission into
the ante-chamber of the fatal room. Realizing what had taken place
inside on that fatal night, I dreaded to enter, lest I should find the
corpse of the unfortunate Pallanza on the floor; but overcoming my
emotions, with a strong effort I thrust open the door and entered.
The tapestried chamber presented exactly the same appearance, with the
small table in the centre, the burnt-out torch lying on the floor, and
at the end the rich folds of the gold-worked curtains veiling the
entrance to the inner apartment. I stood on the threshold, half
expecting to hear the shrill notes of the mandolin, and the passionate
song ring through the silence, but all was still and mute, as if it
were indeed the tomb of the dead I expected to find.
Public-domain text, read in full here on John Shaqi.
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