French fiction -- Translations into English; Love -- Fiction; Man-woman relationships -- Fiction
The young man's bedroom was hung with prettily and coquettishly
fantastical Japanese stuffs, and all the furniture had come from
England. Madame Castel and Madame Liauran had been charmed with some
specimens which they had seen at the house of a furious Anglomaniac and
distant relation of their own, and with the caprice of love they had
proposed to give themselves the pleasure of affording this original
elegance to their child. Accordingly, the room, which looked towards the
south and always had the sun upon it, contained a charming,
triple-panelled wardrobe, a wooden wainscot and a what-not mirror over
the mantlepiece, two graceful brackets, a low square bed, and arm-chairs
that one could lounge in for ever--in short, it was really such a _home_
of refined convenience as every rich Englishman likes to obtain. A
bath-room and a smoking-room adjoined this apartment.
Although Hubert was not as yet addicted to tobacco, the two women had
anticipated even this habit, and it had afforded them a pretext for
fitting up a little room in quite an Oriental fashion, with a profusion
of Persian carpets and a broad divan draped with Algerian stuffs brought
back by the General from his campaigns, while similar stuffs adorned
ceilings and walls, upon which might be seen all the weapons which three
generations of officers had left behind them. Some Egyptian sabres
recalled the first campaign in which Hubert Castel had served in
Buonaparte's retinue. The Captain in the African Army had been the owner
of these Arab weapons, and those memorials of the Crimea bore witness to
the presence of Sub-Lieutenant Liauran beneath the walls of Sebastopol.
On leaving the smoking-room you entered the study, the windows of which
were double, those inside being of coloured glass, so that on dull days
it was possible not to notice the aspect of the hour. The two women had
endured such frightful recurrences of melancholy on gloomy afternoons,
and beneath cruel skies! A large writing-table standing in the middle of
the room had in front of it one of those revolving arm-chairs which
allows the worker to turn round towards the fireplace without so much as
rising. A little Tronchin table presented its raised desk, if the young
man took a fancy to stand as he wrote, while a couch awaited his
idleness. A cottage piano stood in the corner, and a long, low bookshelf
ran along the back part of the room.
Public-domain text, read in full here on John Shaqi.
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