French fiction -- Translations into English; Love -- Fiction; Man-woman relationships -- Fiction
On the walls hung three large portraits, witnessing that, since the
Revolution, all the men of the family had been soldiers. There was first
the grandfather, Colonel Hubert Castel, represented by the painter Gros
in the dark uniform of the cuirassiers of the Empire, his head bare, his
sturdy neck confined in its blue-black collar, his torso clad in its
cuirass, his arms enclosed in the dark cloth of their sleeves, and his
hands covered with their white rounded gauntlets. Napoleon had fallen
from his throne too soon to reward, as he wished, the officer who had
saved his life in the Russian campaign. Next, there was the son of this
stern cavalier, a captain in the African army, painted by Delacroix in
the blue tunic with its plaited folds, and the wide red trousers, tight
fitting at the feet; then the portrait, painted by Flandrin, of Alfred
Liauran, in the uniform of an officer of the line, such as Scilly
himself had worn. On both sides were miniatures representing Colonel
Castel again, but before he had attained to that rank, and also some men
and women of the old régime; for Madame Castel was a Mademoiselle de
Trans, of the De Transes of Provence, a very numerous and noble family
belonging to the district of Aix. Colonel Castel's father, who had been
merely the steward of Marie Alice's father, had saved the, in truth,
somewhat inconsiderable property of the family during the storm of 1792,
and when in 1829 Mademoiselle de Trans had wished to marry this wealthy
man's grandson, who happened to be the son of a celebrated soldier, she
had met with no opposition.
All Madame Castel's past, and that of her daughter, was, therefore,
spread over the walls of this drawing-room, which was at once austere
and homely, like all apartments which are much occupied, and occupied by
persons who have cherished recollections. The furniture, which was
composed of a curious mixture of objects of the First Empire, the
Restoration, and the July Monarchy, certainly had no correspondence with
the fortune of the two ladies, which had become very large owing to the
modesty of their mode of life; but of this furniture there was not a
single piece that did not speak of someone dear both to them and to
Scilly, who from childhood had found interest in everything belonging to
this family. Had not his father been made a Count on the same day that
his companion-in-arms, Castel, had been made a Colonel?
Public-domain text, read in full here on John Shaqi.
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