A Cry in the WildernessWaller, Mary E. (Mary Ella)
General
A Cry in the Wilderness
Waller, Mary E. (Mary Ella)
New York (N.Y.) -- Fiction; Québec (Province) -- Fiction
And from all this wide-stretching housing-place of a vast population,
there rose into my ears a continuous, dull, peculiar sound, as of the
magnified stertorous breathing of a hived and stifled humanity.
I had come here many times in the last four years, at all seasons, at
all times. I drew strength and inspiration from this view in all its
aspects, until my almost fatal illness in the late spring. After that
there came upon me a powerful longing for change. I wanted to get away
from this city, its sights and sounds; to escape from the conditions
that were sapping my life. And the way was, at last, opened. How I
exulted in this thought!
There were others on the promenade, and I was withdrawn from thought of
myself by hearing voices, a man's and a woman's, below me on the
winding walk that leads down the slope past the poplars to the level of
the Harlem streets. The woman's was pleading, strident from
excitement; it broke at last in a dry hard sob. The man's was hateful;
the tones and accents like a vicious snarl.
I turned away sickened, indignant.
"It's always so in this city!" I said to myself while I walked rapidly
towards the hospital. "If I get a chance for a breath of fresh air, or
if I take a walk in the park, or have an outlook that, for a moment, is
free from all suggestions of crime and horror--then beware! For then I
have to shut my ears not to hear the fatal sounds of human brutishness;
or I hear a shot in the park, and a life goes out in some
thick-foliaged path; or I have to turn away my eyes from a sight in the
gutter that offends three of my senses--and so my day is ruined. It's
merciless, merciless--and I loathe it!" I cried within myself as I
passed the hospital.
I lifted my eyes to the massive purity of noble St. Luke's, the windows
rising tier upon tier above me. A light showed here and there. At the
sight my mood softened.
"Oh, I know it is merciful too--it is merciful," I murmured; then I
stopped short and turned back to the entrance. I entered the main
vestibule, mounted the marble steps that lead to the chapel, opened the
noiseless heavily-padded doors, and sat down near the entrance.
The air was close and hot after the outer freshness; the lights few.
The stained-glass window behind the altar was a meaningless confused
mass of leaded opacity. I knew that the daylight was needed to ensoul
it, to give to the dead unmeaning material its spiritual symbolism.
And because I knew this, I realized, as I sat there, what a long
distance in a certain direction I had travelled since that morning in
the Grand Central Station, seven years ago.
Public-domain text, read in full here on John Shaqi.
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