A Cry in the WildernessWaller, Mary E. (Mary Ella)
General
A Cry in the Wilderness
Waller, Mary E. (Mary Ella)
New York (N.Y.) -- Fiction; Québec (Province) -- Fiction
That thought, horrible as it was to me, was my safeguard then and has
been ever since. Such as they said my mother was, I would never be.
Nor am I aware that any moral factor was the lever in this decision.
Rather it was my pride that had been scourged for many years by a
girl's half knowledge of her mother's career, my sensitiveness that was
ever ready at the least outside touch to make me close in upon myself,
the horror of thinking it might be possible that my name could be used
as I had heard my mother's, that had panoplied my nature and warped it
until that nature had narrowed to its armor. I was proud, sensitive,
cold, or thought I was--and I was glad of it.
It had come to a point, at last, now when I was nearly twenty-six, that
in what I termed my strength, lay my weakness. But of this I was, as
yet, unaware.
I shut my eyes as the car sped onwards that I might not see the swift
succession of glaring lights--the many flashing, changing,
nerve-tormenting electric signs and advertisements, the brilliant
globes, stars, and whirligigs of all kinds. How they tired me now!
And the summer theatre throngs streaming in under the entrance arches
picked out in glowing red and white, the saloons flashing a well-known
signal to customers--I knew it all and was glad to close my eyes to it
all. Now and then I caught a strain of music from the orchestra of
some roof-garden.
At Seventy-second Street I changed for Amsterdam Avenue. I wanted to
get away to the heights. The air was becoming fresher and I needed
more of it. Another twenty minutes and the car stopped near the brow
of the hill. I left it and walked a cross block till I came to
Morningside Heights, the small, irregular, but beautiful promenade
behind St. Luke's.
I leaned on the massive stone coping that crowns the wall of the
escarpment; below me the hill sloped sharply to the flats of the
Harlem. I looked off over the city.
East, and north-east in the direction of the Sound, great cloud masses,
the wrack of the tempest, were piled high towards the zenith; but
beneath them there was a clear zone near the city's level. A moon
nearly two thirds to the full, was heralding its appearance above them
by lighted rifts, bright-rimmed haloes, and the marvellous play of
direct shaft light that struck downwards behind the clouds into the
clear space above the city and shot white radiance upon its roofs. The
sky, also, while yet the moon was invisible, was radiant, but with
starlight.
Against this background, I watched the glow-worm lights of the elevated
trains winding along the high invisible trestle-work. Beneath me lay
Morningside Park, the foliage and its shadows blackened in masses
beneath the glaring white of the arc-lights; and beyond, in seemingly
interminable perspective, the long converging lines of parallel street
lights led my gaze across the city to some large, unknown, uncertain
flarings somewhere near the East River shore.
Public-domain text, read in full here on John Shaqi.
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