A Cry in the WildernessWaller, Mary E. (Mary Ella)
General
A Cry in the Wilderness
Waller, Mary E. (Mary Ella)
New York (N.Y.) -- Fiction; Québec (Province) -- Fiction
Mine greeted me with an extra degree of warmth. Marie had made more
fire; the air was frosty. I drew apart the curtains and looked out.
There was only the blackness of night beyond the panes. I drew them to
again; unlocked my trunk to take out merely what was necessary for the
night, undressed and went to bed.
I must have lain there hours with wide open eyes; there was no sleep in
me. Hour after hour I listened for a sound from somewhere; there was
absolute silence within the manor and without. I had opened my window
for air, and, as I lay there wide awake, gradually, without reason, in
that intense silence, the various nightly street sounds of the great
city, five hundred miles to the southward, began to sound in my ears;
at first far away, then nearer and nearer until I heard distinctly the
roar of the elevated, the multiplied "honk-honk" of the automobiles,
the rolling of cabs, the grating clamor of the surface cars, the clang
of the ambulance, the terrific clatter of the horses' hoofs as they
sped three abreast to the fire, the hoarse whistle of tug and ferry;
and, above all, the voices of those crying in that wilderness.
Again I felt that awful burden, that blackness of oppression, which was
with me for weeks in the hospital--the result of the intensified life
of the huge metropolis and the giant machinery that sustains it--and,
feeling it, I knew myself to be a stranger even in the white walled
room in the old manor house of Lamoral.
It must have been long, long after midnight when I fell asleep.
IV
There was a soft white light on walls and ceiling when I awoke. I
recognized it at once: the reflection from snow. I drew aside both
curtains and looked out.
"Oh, how beautiful!" I exclaimed, drawing long deep breaths of the fine
dry air.
It was the so-called "feather-snow" that had fallen during the night.
It powdered the massive drooping hemlock boughs, the spraying
underbrush, the stiff-branched spruce and cedars that crowded the tall
pines, overstretching the steep gable above my windows.
Just below me, about twenty feet from the house, was the creek, a
backwater of the St. Lawrence, lying clear, unruffled, dark, and
mirroring the snow-frosted cedars, hemlocks, and spraying underbrush.
Across its narrow width the woods came down to the water, glowing
crimson, flaunting orange, shimmering yellow beneath the light snow
fall. Straight through these woods, and directly opposite my windows,
a broad lane had been cut, a long wide clearing that led my eyes
northward, over some open country, to the soft blue line of the
mountains. I took them to be the Laurentides.
From a distance, in the direction of the village, came the sudden
muffled clash of bells; then peal followed peal. The sun was fully an
hour high. As I listened, I heard the soft _drip_, _drip_, that
sounded the vanishing of the "feather-snow".
Public-domain text, read in full here on John Shaqi.
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