The reading, I have said, had struck me as almost of the nature of a
religious service; nevertheless, everything went on as before--reading,
working, and occasional conversation; but the subdued talking and moving
about did not interfere with one's pleasure in the old man's musical
speech any more than the soft murmur and flying about of honey bees
would prevent one from enjoying the singing of a skylark. Emboldened by
what I saw the others doing, I left my seat and made my way across the
floor to Yoletta's side, stealing through the gloom with great caution
to avoid making a clatter with those abominable boots.
"May I sit down near you?" said I with some hesitation; but she
encouraged me with a smile and placed a cushion for me.
I settled myself down in the most graceful position I could assume,
which was not at all graceful, doubling my objectionable legs out of her
sight; and then began my trouble, for I was greatly perplexed to know
what to say to her. I thought of lawn-tennis and archery. Ellen Terry's
acting, the Royal Academy Exhibition, private theatricals, and twenty
things besides, but they all seemed unsuitable subjects to start
conversation with in this case. There was, I began to fear, no common
ground on which we could meet and exchange thoughts, or, at any rate,
words. Then I remembered that ground, common and broad enough, of our
human feelings, especially the sweet and important feeling of love. But
how was I to lead up to it? The work she was engaged with at length
suggested an opening, and the opportunity to make a pretty little
speech.
"Your sight must be as good as your eyes are pretty," said I, "to enable
you to work in such a dim light."
"Oh, the light is good enough," she answered, taking no notice of the
compliment. "Besides, this is such easy work I could do it in the dark."
"It is very pretty work--may I look at it?"
She handed the stuff to me, but instead of taking it in the ordinary
way, I placed my hand under hers, and, holding up cloth and hand
together, proceeded to give a minute and prolonged scrutiny to her work.
"Do you know that I am enjoying two distinct pleasures at one and the
same time?" said I. "One is in seeing your work, the other in holding
your hand; and I think the last pleasure even greater than the first."
As she made no reply, I added somewhat lamely: "May I--keep on holding
it?"
"That would prevent me from working," she answered, with the utmost
gravity. "But you may hold it for a little while."
"Oh, thank you," I exclaimed, delighted with the privilege; and then, to
make the most of my precious "little while," I pressed it warmly,
whereupon she cried out aloud: "Oh, Smith, you are squeezing too
hard--you hurt my hand!"
I dropped it instantly in the greatest confusion. "Oh, for goodness
sake," I stammered, "please, do not make such an outcry! You don't know
what a hobble you'll get me into."
Public-domain text, read in full here on John Shaqi.
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