And if so,--horrible thought,--am I the stuff to go forth and seek
adventures? Oh, the ineffable bitterness of this reflection! I remember
it in all its anguish, and even now, after years of such experience as
have befallen few men, I can recall the pain it cost me. While I was yet
in the paroxysm of that sorrow, which assured me that I was not made for
doughty deeds, nor to captivate some fair princess, I chanced to fall
upon a little German volume entitled “Wald Wandelungen und Abentheure,”
von Heinrich Stebbe. Forest rambles and adventures, and of a student,
too! for so Herr Stebbe announces himself, in a short introduction to
the reader. I am not going into any account of his book. It is in
Voss's Leipzig Catalogue, and not unworthy of perusal by those who are
sufficiently imbued with Germanism to accept the changeful moods of a
mystical mind, with all its visionary glimpses of light and shade, its
doubts, fears, hopes, and fancies, in lieu of real incidents and actual
events. Of adventures, properly speaking, he had none. The people he
met, the scenes in which he bore his part, were as commonplace as
need be. The whole narrative never soared above that bread and butter
life--Butter-brod Leben--which Germany accepts as romance; but,
meanwhile, the reflex of whatever passed around him in the narrator's
own mind was amusing; so ingeniously did he contrive to interweave the
imaginary with the actual, throwing over the most ordinary pictures
of life a sort of hazy indistinctness,--meet atmosphere for mystical
creation.
If I did not always sympathize with him in his brain-wrought wanderings,
I never ceased to take pleasure in his description of scenery, and
the heartfelt delight he experienced in Journeying through a world so
beautiful and so varied. There was also a little woodcut frontispiece
which took my fancy much, representing him as he stood leaning on his
horse's mane, gazing rapturously on the Elbe, from one of the cliffs off
the Saxon Switzerland. How peaceful he looked, with his long hair waving
gracefully on his neck, and his large soft eyes turned on the scene
beneath him I His clasped hands, as they lay on the horse's mane,
imparted a sort of repose, too, that seemed to say, “I could linger here
ever so long.” Nor was the horse itself without a significance in the
picture; he was a long-maned, long-tailed, patient-looking beast, well
befitting an enthusiast, who doubtless took but little heed of how he
went or where. If his lazy eye denoted lethargy, his broad feet and
short legs vouched for his sure-footedness.
Public-domain text, read in full here on John Shaqi.
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