“That good lies hid in nearness of the evil,” Agrippa will be as merry in
the showing the Vanity of Science, as Erasmus was in the commending of
Folly; {60} neither shall any man or matter escape some touch of these
smiling railers. But for Erasmus and Agrippa, they had another
foundation than the superficial part would promise. Marry, these other
pleasant fault-finders, who will correct the verb before they understand
the noun, and confute others’ knowledge before they confirm their own; I
would have them only remember, that scoffing cometh not of wisdom; so as
the best title in true English they get with their merriments, is to be
called good fools; for so have our grave forefathers ever termed that
humorous kind of jesters.
But that which giveth greatest scope to their scorning humour, is rhyming
and versing. {61} It is already said, and, as I think, truly said, it is
not rhyming and versing that maketh poesy; one may be a poet without
versing, and a versifier without poetry. But yet, presuppose it were
inseparable, as indeed, it seemeth Scaliger judgeth truly, it were an
inseparable commendation; for if “oratio” next to “ratio,” speech next to
reason, be the greatest gift bestowed upon mortality, that cannot be
praiseless which doth most polish that blessing of speech; which
considereth each word, not only as a man may say by his forcible quality,
but by his best measured quantity; carrying even in themselves a harmony;
without, perchance, number, measure, order, proportion be in our time
grown odious.
But lay aside the just praise it hath, by being the only fit speech for
music—music, I say, the most divine striker of the senses; thus much is
undoubtedly true, that if reading be foolish without remembering, memory
being the only treasure of knowledge, those words which are fittest for
memory, are likewise most convenient for knowledge. Now, that verse far
exceedeth prose in the knitting up of the memory, the reason is manifest:
the words, besides their delight, which hath a great affinity to memory,
being so set as one cannot be lost, but the whole work fails: which
accusing itself, calleth the remembrance back to itself, and so most
strongly confirmeth it. Besides, one word so, as it were, begetting
another, as, be it in rhyme or measured verse, by the former a man shall
have a near guess to the follower. Lastly, even they that have taught
the art of memory, have showed nothing so apt for it as a certain room
divided into many places, well and thoroughly known; now that hath the
verse in effect perfectly, every word having his natural seat, which seat
must needs make the word remembered. But what needs more in a thing so
known to all men? Who is it that ever was a scholar that doth not carry
away some verses of Virgil, Horace, or Cato, which in his youth he
learned, and even to his old age serve him for hourly lessons? as,
Public-domain text, read in full here on John Shaqi.
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