A Desperate Character and Other StoriesTurgenev, Ivan Sergeevich
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A Desperate Character and Other Stories
Turgenev, Ivan Sergeevich
Russia -- Social life and customs -- Fiction; Turgenev, Ivan Sergeevich, 1818-1883 -- Translations into English
We walked rather a long while about the unpaved streets of the town of
T----; at last in one of them, almost the most deserted and desolate of
all, my guide stopped before an old two-story wooden house, and wiping
his nose all over his smock-sleeve, said: ‘Here; go to the right.’ I
passed through the porch into the outer passage, stumbled towards my
right, a low door creaked on rusty hinges, and I saw before me a stout
old woman in a brown jacket lined with hare-skin, with a parti-coloured
kerchief on her head.
‘Mastridia Karpovna?’ I inquired.
‘The same, at your service,’ the old woman replied in a piping voice.
‘Please walk in. Won’t you take a chair?’
The room into which the old woman conducted me was so littered up with
every sort of rubbish, rags, pillows, feather-beds, sacks, that one
could hardly turn round in it. The sunlight barely struggled in through
two dusty little windows; in one corner, from behind a heap of boxes
piled on one another, there came a feeble whimpering and wailing.... I
could not tell from what; perhaps a sick baby, or perhaps a puppy. I sat
down on a chair, and the old woman stood up directly facing me. Her face
was yellow, half-transparent like wax; her lips were so fallen in that
they formed a single straight line in the midst of a multitude of
wrinkles; a tuft of white hair stuck out from below the kerchief on her
head, but the sunken grey eyes peered out alertly and cleverly from
under the bony overhanging brow; and the sharp nose fairly stuck out
like a spindle, fairly sniffed the air as if it would say: I’m a smart
one! ‘Well, you’re no fool!’ was my thought. At the same time she smelt
of spirits.
I explained to her the object of my visit, of which, however, as I
observed, she must be aware. She listened to me, blinked her eyes
rapidly, and only lifted her nose till it stuck out still more sharply,
as though she were making ready to peck.
‘To be sure, to be sure,’ she said at last; ‘Ardalion Matveitch did say
something, certainly; my son Vassinka’s art you were wanting.... But we
can’t be sure, my dear sir....’
‘Oh, why so?’ I interposed. ‘As far as I’m concerned, you may feel
perfectly easy.... I’m not an informer.’
‘Oh, mercy on us,’ the old woman caught me up hurriedly, ‘what do you
mean? Could we dare to suppose such a thing of your honour! And on what
ground could one inform against us? Do you suppose it’s some sinful
contrivance of ours? No, sir, my son’s not the one to lend himself to
anything wicked ... or give way to any sort of witchcraft.... God forbid
indeed, holy Mother of Heaven! (The old woman crossed herself three
times.) He’s the foremost in prayer and fasting in the whole province;
the foremost, your honour, he is! And that’s just it: great grace has
been vouchsafed to him. Yes, indeed. It’s not the work of his hands.
It’s from on high, my dear; so it is.’
‘So you agree?’ I asked: ‘when can I see your son?’
Public-domain text, read in full here on John Shaqi.
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