A Discourse Being Introductory to his Course of Lectures on Elocution and the English Language (1759)Sheridan, Thomas
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A Discourse Being Introductory to his Course of Lectures on Elocution and the English Language (1759)
Sheridan, Thomas
Elocution -- Study and teaching -- Early works to 1800
obstacle to the pursuit of these studies, and to the attainment of these
arts? Have we not a language to study as well as they? and do we not, on
many accounts, stand in more need of studying that language? Have we not
the same organs of speech, the same features, the same limbs, muscles,
and nerves, that the ancients had? What want we then, but to apply
ourselves to the regulation of these, and to study their true use in
enforcing and adorning our sentiments, when delivered by speech, to
rival or even excel them in their favourite art? How did the ancients
attain this art? By study, and practice. Would not the same means bring
us to the same end? And have we not the advantage of all their lights to
guide us in our enquiries? Have we not the foundation of their
experience to build upon, ready to our hands, whenever we are wise
enough to set about raising the noble edifice? Did the ancients possess
any advantages over us from nature, either in point of intellectual
faculties, or the animal oeconomy? With respect to the mental powers, it
is undoubtedly clear, that we have carried our discoveries much farther
than they did, both in the physical and moral world. And with respect to
the bodily organs, true philosophy must deride any attempts, to shew
that we are not framed exactly in the same manner. In all the
_sciences_, to which we _have_ applied, we have far outdone them; and if
they still excel us in many of the _arts_, it is either because we have
wholly neglected their cultivation, or where we have made the attempt,
we have taken a wrong course; and unwisely deserted the method pointed
out by the ancients towards their attainment, and which, with them, had
been always crowned with success.
Public-domain text, read in full here on John Shaqi.
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