A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
Thence we hope for endless forms of beauty informed
of truth. If the dark portion of our own being were the origin of our
imaginations, we might well fear the apparition of such monsters as
would be generated in the sickness of a decay which could never
feel--only declare--a slow return towards primeval chaos. But the Maker
is our Light.
One word more, ere we turn to consider the culture of this noblest
faculty, which we might well call the creative, did we not see a
something in God for which we would humbly keep our mighty word:--the
fact that there is always more in a work of art--which is the highest
human result of the embodying imagination--than the producer himself
perceived while he produced it, seems to us a strong reason for
attributing to it a larger origin than the man alone--for saying at the
last, that the inspiration of the Almighty shaped its ends.
We return now to the class which, from the first, we supposed hostile to
the imagination and its functions generally. Those belonging to it will
now say: “It was to no imagination such as you have been setting forth
that we were opposed, but to those wild fancies and vague reveries in
which young people indulge, to the damage and loss of the real in the
world around them.”
“And,” we insist, “you would rectify the matter by smothering the young
monster at once--because he has wings, and, young to their use, flutters
them about in a way discomposing to your nerves, and destructive to
those notions of propriety of which this creature--you stop not to
inquire whether angel or pterodactyle--has not yet learned even the
existence. Or, if it is only the creature’s vagaries of which you
disapprove, why speak of them as _the_ exercise of the imagination? As
well speak of religion as the mother of cruelty because religion has
given more occasion of cruelty, as of all dishonesty and devilry, than
any other object of human interest. Are we not to worship, because our
forefathers burned and stabbed for religion? It is more religion we
want. It is more imagination we need. Be assured that these are but the
first vital motions of that whose results, at least in the region of
science, you are more than willing to accept.” That evil may spring from
the imagination, as from everything except the perfect love of God,
cannot be denied. But infinitely worse evils would be the result of its
absence. Selfishness, avarice, sensuality, cruelty, would flourish
tenfold; and the power of Satan would be well established ere some
children had begun to choose. Those who would quell the apparently
lawless tossing of the spirit, called the youthful imagination, would
suppress all that is to grow out of it. They fear the enthusiasm they
never felt; and instead of cherishing this divine thing, instead of
giving it room and air for healthful growth, they would crush
and confine it--with but one result of their victorious
endeavours--imposthume, fever, and corruption. And the disastrous
Public-domain text, read in full here on John Shaqi.
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