A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
“I wish I had thought to watch when God was making me!” said a child
once to his mother. “Only,” he added, “I was not made till I was
finished, so I couldn’t.” We cannot recall whence we came, nor tell how
we began to be. We know approximately how far back we can remember, but
have no idea how far back we may not have forgotten. Certainly we knew
once much that we have forgotten now. My own earliest definable memory
is of a great funeral of one of the Dukes of Gordon, when I was between
two and three years of age. Surely my first knowledge was not of death.
I must have known much and many things before, although that seems my
earliest memory. As in what we foolishly call maturity, so in the dawn
of consciousness, both before and after it has begun to be buttressed
with _self_-consciousness, each succeeding consciousness dims--often
obliterates--that which went before, and with regard to our past as well
as our future, imagination and faith must step into the place vacated of
knowledge. We are aware, and we know that we are aware, but when or how
we began to be aware, is wrapt in a mist that deepens on the one side
into deepest night, and on the other brightens into the full assurance
of existence. Looking back we can but dream, looking forward we lose
ourselves in speculation; but we may both speculate and dream, for all
speculation is not false, and all dreaming is not of the unreal. What
may we fairly imagine as to the inward condition of the child before the
first moment of which his memory affords him testimony?
It is one, I venture to say, of absolute, though, no doubt, largely
negative faith. Neither memory of pain that is past, nor apprehension of
pain to come, once arises to give him the smallest concern. In some way,
doubtless very vague, for his being itself is a border-land of awful
mystery, he is aware of being surrounded, enfolded with an atmosphere of
love; the sky over him is his mother’s face; the earth that nourishes
him is his mother’s bosom. The source, the sustentation, the defence of
his being, the endless mediation betwixt his needs and the things that
supply them, are all one. There is no type so near the highest idea of
relation to a God, as that of the child to his mother. Her face is God,
her bosom Nature, her arms are Providence--all love--one love--to him an
undivided bliss.
The region beyond him he regards from this vantage-ground of
unquestioned security. There things may come and go, rise and vanish--he
neither desires nor bemoans them. Change may grow swift, its swiftness
grow fierce, and pass into storm: to him storm is calm; his haven is
secure; his rest cannot be broken: he is accountable for nothing, knows
no responsibility. Conscience is not yet awake, and there is no
conflict. His waking is full of sleep, yet his very being is enough for
him.
Public-domain text, read in full here on John Shaqi.
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