A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
his will, that God has given him a share in essential life, in the
causation of his own being, then is he a man indeed. I say, even here
this birth may begin; but with most it takes years not a few to complete
it. For, the power of the mother having waned, the power of the
neighbour is waxing. If the boy be of common clay, that is, of clay
willing to accept dishonour, this power of the neighbour over him will
increase and increase, till individuality shall have vanished from him,
and what his friends, what society, what the trade or the profession
say, will be to him the rule of life. With such, however, I have to do
no more than with the deaf dead, who sleep too deep for words to reach
them.
My typical child of man is not of such. He is capable not of being
influenced merely, but of influencing--and first of all of influencing
himself; of taking a share in his own making; of determining actively,
not by mere passivity, what he shall be and become; for he never ceases
to pay at least a little heed, however poor and intermittent, to the
voice of his conscience, and to-day he pays more heed than he did
yesterday.
Long ere now the joy of space, of room, has laid hold upon him--the more
powerfully if he inhabit a wild and broken region. The human animal
delights in motion and change, motions of his members even violent, and
swiftest changes of place. It is as if he would lay hold of the infinite
by ceaseless abandonment and choice of a never-abiding stand-point, as
if he would lay hold of strength by the consciousness of the strength he
has. He is full of unrest. He must know what lies on the farther shore
of every river, see how the world looks from every hill: _What is
behind? What is beyond?_ is his constant cry. To learn, to gather into
himself, is his longing. Nor do many years pass thus, it may be not many
months, ere the world begins to come alive around him. He begins to feel
that the stars are strange, that the moon is sad, that the sunrise is
mighty. He begins to see in them all the something men call beauty. He
will lie on the sunny bank and gaze into the blue heaven till his soul
seems to float abroad and mingle with the infinite made visible, with
the boundless condensed into colour and shape. The rush of the water
through the still twilight, under the faint gleam of the exhausted west,
makes in his ears a melody he is almost aware he cannot understand.
Dissatisfied with his emotions he desires a deeper waking, longs for a
greater beauty, is troubled with the stirring in his bosom of an unknown
ideal of Nature. Nor is it an ideal of Nature alone that is forming
within him. A far more precious thing, a human ideal namely, is in his
soul, gathering to itself shape and consistency. The wind that at night
fills him with sadness--he cannot tell why, in the daytime haunts him
like a wild consciousness of strength which has neither difficulty nor
danger enough to spend itself upon. He would be a champion of the weak,
Public-domain text, read in full here on John Shaqi.
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