A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
a friend to the great; for both he would fight--a merciless foe to every
oppressor of his kind. He would be rich that he might help, strong that
he might rescue, brave--that he counts himself already, for he has not
proved his own weakness. In the first encounter he fails, and the bitter
cup of shame and confusion of face, wholesome and saving, is handed him
from the well of life. He is not yet capable of understanding that one
such as he, filled with the glory and not the duty of victory, could not
but fail, and therefore ought to fail; but his dismay and chagrin are
soothed by the forgetfulness the days and nights bring, gently wiping
out the sins that are past, that the young life may have a fresh chance,
as we say, and begin again unburdened by the weight of a too much
present failure.
And now, probably at school, or in the first months of his college-life,
a new phase of experience begins. He has wandered over the border of
what is commonly called science, and the marvel of facts multitudinous,
strung upon the golden threads of law, has laid hold upon him. His
intellect is seized and possessed by a new spirit. For a time knowledge
is pride; the mere consciousness of knowing is the reward of its labour;
the ever recurring, ever passing contact of mind with a new fact is a
joy full of excitement, and promises an endless delight. But ever the
thing that is known sinks into insignificance, save as a step of the
endless stair on which he is climbing--whither he knows not; the unknown
draws him; the new fact touches his mind, flames up in the contact, and
drops dark, a mere fact, on the heap below. Even the grandeur of law as
law, so far from adding fresh consciousness to his life, causes it no
small suffering and loss. For at the entrance of Science, nobly and
gracefully as she bears herself, young Poetry shrinks back startled,
dismayed. Poetry is true as Science, and Science is holy as Poetry; but
young Poetry is timid and Science is fearless, and bears with her a
colder atmosphere than the other has yet learned to brave. It is not
that Madam Science shows any antagonism to Lady Poetry; but the
atmosphere and plane on which alone they can meet as friends who
understand each other, is the mind and heart of the sage, not of the
boy. The youth gazes on the face of Science, cold, clear, beautiful;
then, turning, looks for his friend--but, alas! Poetry has fled. With a
great pang at the heart he rushes abroad to find her, but descries only
the rainbow glimmer of her skirt on the far horizon. At night, in his
dreams, she returns, but never for a season may he look on her face of
loveliness. What, alas! have evaporation, caloric, atmosphere,
refraction, the prism, and the second planet of our system, to do with
“sad Hesper o’er the buried sun?” From quantitative analysis how shall
he turn again to “the rime of the ancient mariner,” and “the moving
moon” that “went up the sky, and nowhere did abide”? From his window he
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