Man-woman relationships -- Drama; Marriage -- Drama; Norwegian drama -- Translations into English; Wives -- Drama
NORA.
_[hanging back in the doorway, and struggling with him]_. No, no,
no!—don’t take me in. I want to go upstairs again; I don’t want to
leave so early.
HELMER.
But, my dearest Nora—
NORA.
Please, Torvald dear—please, please—only an hour more.
HELMER.
Not a single minute, my sweet Nora. You know that was our agreement.
Come along into the room; you are catching cold standing there. _[He
brings her gently into the room, in spite of her resistance.]_
MRS LINDE.
Good evening.
NORA.
Christine!
HELMER.
You here, so late, Mrs Linde?
MRS LINDE.
Yes, you must excuse me; I was so anxious to see Nora in her dress.
NORA.
Have you been sitting here waiting for me?
MRS LINDE.
Yes, unfortunately I came too late, you had already gone upstairs; and
I thought I couldn’t go away again without having seen you.
HELMER.
_[taking off NORA’S shawl]_. Yes, take a good look at her. I think she
is worth looking at. Isn’t she charming, Mrs Linde?
MRS LINDE.
Yes, indeed she is.
HELMER.
Doesn’t she look remarkably pretty? Everyone thought so at the dance.
But she is terribly self-willed, this sweet little person. What are we
to do with her? You will hardly believe that I had almost to bring her
away by force.
NORA.
Torvald, you will repent not having let me stay, even if it were only
for half an hour.
HELMER.
Listen to her, Mrs Linde! She had danced her Tarantella, and it had
been a tremendous success, as it deserved—although possibly the
performance was a trifle too realistic—a little more so, I mean, than
was strictly compatible with the limitations of art. But never mind
about that! The chief thing is, she had made a success—she had made a
tremendous success. Do you think I was going to let her remain there
after that, and spoil the effect? No, indeed! I took my charming little
Capri maiden—my capricious little Capri maiden, I should say—on my arm;
took one quick turn round the room; a curtsey on either side, and, as
they say in novels, the beautiful apparition disappeared. An exit ought
always to be effective, Mrs Linde; but that is what I cannot make Nora
understand. Pooh! this room is hot. _[Throws his domino on a chair, and
opens the door of his room.]_ Hullo! it’s all dark in here. Oh, of
course—excuse me—. _[He goes in, and lights some candles.]_
NORA.
_[in a hurried and breathless whisper]_. Well?
MRS LINDE.
_[in a low voice]_. I have had a talk with him.
NORA.
Yes, and—
MRS LINDE.
Nora, you must tell your husband all about it.
NORA.
_[in an expressionless voice]_. I knew it.
MRS LINDE.
You have nothing to be afraid of as far as Krogstad is concerned; but
you must tell him.
NORA.
I won’t tell him.
MRS LINDE.
Then the letter will.
NORA.
Thank you, Christine. Now I know what I must do. Hush—!
HELMER.
_[coming in again]_. Well, Mrs Linde, have you admired her?
MRS LINDE.
Yes, and now I will say goodnight.
HELMER.
What, already? Is this yours, this knitting?
MRS LINDE.
_[taking it]_. Yes, thank you, I had very nearly forgotten it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account