Man-woman relationships -- Drama; Marriage -- Drama; Norwegian drama -- Translations into English; Wives -- Drama
HELMER.
So you knit?
MRS LINDE.
Of course.
HELMER.
Do you know, you ought to embroider.
MRS LINDE.
Really? Why?
HELMER.
Yes, it’s far more becoming. Let me show you. You hold the embroidery
thus in your left hand, and use the needle with the right—like
this—with a long, easy sweep. Do you see?
MRS LINDE.
Yes, perhaps—
HELMER.
But in the case of knitting—that can never be anything but ungraceful;
look here—the arms close together, the knitting-needles going up and
down—it has a sort of Chinese effect—. That was really excellent
champagne they gave us.
MRS LINDE.
Well,—goodnight, Nora, and don’t be self-willed any more.
HELMER.
That’s right, Mrs Linde.
MRS LINDE.
Goodnight, Mr. Helmer.
HELMER.
_[accompanying her to the door]_. Goodnight, goodnight. I hope you will
get home all right. I should be very happy to—but you haven’t any great
distance to go. Goodnight, goodnight. _[She goes out; he shuts the door
after her, and comes in again.]_ Ah!—at last we have got rid of her.
She is a frightful bore, that woman.
NORA.
Aren’t you very tired, Torvald?
HELMER.
No, not in the least.
NORA.
Nor sleepy?
HELMER.
Not a bit. On the contrary, I feel extraordinarily lively. And you?—you
really look both tired and sleepy.
NORA.
Yes, I am very tired. I want to go to sleep at once.
HELMER.
There, you see it was quite right of me not to let you stay there any
longer.
NORA.
Everything you do is quite right, Torvald.
HELMER.
_[kissing her on the forehead]_. Now my little skylark is speaking
reasonably. Did you notice what good spirits Rank was in this evening?
NORA.
Really? Was he? I didn’t speak to him at all.
HELMER.
And I very little, but I have not for a long time seen him in such good
form. _[Looks for a while at her and then goes nearer to her.]_ It is
delightful to be at home by ourselves again, to be all alone with
you—you fascinating, charming little darling!
NORA.
Don’t look at me like that, Torvald.
HELMER.
Why shouldn’t I look at my dearest treasure?—at all the beauty that is
mine, all my very own?
NORA.
_[going to the other side of the table]_. You mustn’t say things like
that to me tonight.
HELMER.
_[following her]_. You have still got the Tarantella in your blood, I
see. And it makes you more captivating than ever. Listen—the guests are
beginning to go now. _[In a lower voice.]_ Nora—soon the whole house
will be quiet.
NORA.
Yes, I hope so.
HELMER.
Yes, my own darling Nora. Do you know, when I am out at a party with
you like this, why I speak so little to you, keep away from you, and
only send a stolen glance in your direction now and then?—do you know
why I do that? It is because I make believe to myself that we are
secretly in love, and you are my secretly promised bride, and that no
one suspects there is anything between us.
NORA.
Yes, yes—I know very well your thoughts are with me all the time.
Public-domain text, read in full here on John Shaqi.
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