It was a curious moment for both of them--so both of them seemed
to think. There was in his gaze such a take-it-for-granted air
that one could not but wonder if he had not been conscious of
her presence even while he slept. The sight of a strange woman
leaning over his bed, with such a queer expression on her
countenance, did not seem to surprise him in the least. That she
was strange to him was plain. He seemed to be searching in his
muddy brain for some clue which would tell him who she was. The
search did not seem to be meeting with much success.
For probably more than a minute they continued to look at each
other, the contrast between the fashion of their looks being
almost grotesque in its completeness. Her bold, handsome face
was, at the same time, illuminated by keen intelligence, and
marked by an expression of vindictiveness which gave it an
unpleasanter effect than if it had been actually ugly. His face,
on the other hand, was vacuous, expressionless; more, it was
incapable of expression. It reminded one, in some uncomfortable
way, of a piece of blubber, without form and void.
The eyes, particularly in comparison with the rest of him, were
small; with the exception of the pupils they were blood-shot.
One wondered how much, or how little, they could see; they
regarded Isabel blankly, as if she had been a wooden doll.
After an inspection which lasted, as it seemed, an unnatural
length of time, it was he who broke the silence. His voice was a
little clearer than when she had heard it first, but not much.
It still had the peculiar quality of appearing to belong to some
one who was at a distance.
"Who are you?"
There was a significant pause before she answered. In her tone
was significance of another kind.
"I'm your wife."
Either her words took him by surprise, or he did not gather what
she meant, or disliked what he did gather. He was still again,
as if ruminating on what she had said. When he did speak the
remark he made was a little startling.
"Damn you!"
The unparliamentary utterance, especially as addressed to a
lady, was accentuated by the matter-of-fact stolidity which
marked it. It was not impossible that for a moment or two she
was moved to give him back as good as he sent--and better.
Possibly, however, the impulse was changed, as regards form, in
the making. Instead of imitating the vigour of his epithet, she
cut at him with a lash of her own.
"You're my husband." It would have been difficult for the
strongest language to have been more scathing than her plain
pronouncement of a simple fact. As if desirous of driving her
dart still further home, she repeated her own words, with an
even added bitterness--"You're my husband!--you!"
Public-domain text, read in full here on John Shaqi.
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