"I'd find it fast enough."
"Then find it."
"What sort of place is it?"
"That's asking for assistance. I'll give you this much. It's in
the wall, concealed by a panel of wood. Now I've given you the
scent, follow it to a finish--if you can."
"In a room like this there might be fifty hiding-places."
"There might."
"It would take days to examine it thoroughly; however long it
might take me I'd find it. I'd strip the walls of everything
before I'd give it up."
"I don't think you need go so far as that just yet. Look round;
you've hawk's eyes; I've given you a hint; can't you make a
likely guess, like the sharp-witted child who is playing
hide-and-seek?"
Isabel's glances were travelling round the room searchingly,
resting here and there, allowing nothing to escape them. When
they had traversed the whole apartment from floor to ceiling in
one direction they returned in another.
"You are not tricking me? There really is a secret
hiding-place?"
"There really is."
"And you say it's behind a panel in the wall?"
"That's it."
Her eyes in their return journey had reached the great wooden
fireplace. Although she did not know it, it was a fine specimen
of old carving. What she did notice were the rounded posts which
served as pillars. There were four, two longer and two shorter,
each supporting a shelf on which there were ornaments. She
wondered if the posts would turn. Probably something recurred to
her mind which she had read about a movable post, though she
could not have said just what it was or where she had read it.
She had a notion that she would try if the posts in the
fireplace turned, when she was stopped by a remark which came
from the man in the bed.
"You're looking in the wrong place; so as I don't want your
search to occupy you days, I'll tell you where it is." Even as
he spoke it struck her--rather as a vague suspicion than
anything else--that he did not want her to pay too much
attention to the fireplace. She waited for him to continue,
which he did at once. "You see the bracket in the corner on my
left. Go to it. Take down the vase which stands upon it, then
lift the bracket out of its socket." She did as he told her.
"You see the boss just at the top of the socket. That releases
the catch. Press it, then slide upwards that part of the panel
which is immediately at your right."
Again she followed his directions. A portion of the woodwork,
three or four inches wide, and about a foot in length, yielding
to her touch, disclosed an open space behind.
"There's an envelope in it, a blue envelope; take it out."
There was an envelope, apparently nothing else. On the front was
an inscription, whose crabbed characters had apparently been
written by a feminine hand. "This envelope contains Cuthbert
Grahame's will, and is not to be opened till after his death."
The two flaps at the back were secured by big red seals.
Public-domain text, read in full here on John Shaqi.
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