American fiction -- 19th century; Artists -- Fiction
"Suppose," he soliloquized, "I attempt a novel bit of artistic work
as my summer recreation. Suppose I take the face of this stranger
instead of a piece of canvas and try to illumine it with thought,
with womanly character and intelligence. If I fail, as I probably
shall, no harm will be done. If her silliness and vanity are
ingrained and essential parts of her nature, she shall learn that
there is at least one man who can see her as she is, and whose
heart is not wax on which to stamp her pretty and senseless image.
If I only partially succeed, if I discern she has a mind, but
so feeble that it can only half reclaim her from her weakness and
folly, still something will be accomplished. Her features are so
beautiful, that should they come to express even the glimmerings
of that which is admirable, the face will be in part redeemed.
But if by some happy miracle, as in the instance of the original
Undine, a mind can be awakened that will gradually prepare a place
for the soul of a true woman, I shall accomplish the best work of
my life, even estimated from an artistic point of view. Possibly,
for my reward, she will permit me to paint her portrait as a souvenir
of our summer's acquaintance."
It did not take Van Berg long to complete his arrangements for
leaving town. He wrote a line to his friend Stanton, saying that
he proposed spending a few weeks in the vicinity of the Highlands
on the Hudson, and that he could not say when he would be at his
rooms or at home again. The afternoon of the following day found
him a passenger on a fleet steamboat, and fully bent upon carrying
out his odd artistic freak.
Chapter IV. A Parthian Arrow.
As, in the quiet June evening, Harold Van Berg glided through the
shadows of the Highlands, there came a slight change over his spirit
of philosophical and artistic experiment. The season comported
with his early manhood, and the witching hour and the scenery were
not conducive to cold philosophy. He who prided himself on his
steady pulse and a devotion to art so absorbing that it even prompted
his impulses and gave character to his recreation, was led to feel,
on this occasion, that his mistress was vague and shadowy, and to
half wish for that companionship which the most self-reliant natures
have craved at times, ever since man first felt, and God knew, that
it was "not good for him to be alone." If he could turn from the
beauty of the sun-tipped hills and rocks and the gloaming shadows
to an appreciative and sympathetic face, such as he could at
least imagine the visage of Ida Mayhew might become, would not his
enjoyment of the beauty he saw be doubly enhanced? In his deepest
consciousness he was compelled to admit that it would. He caught
a glimpse of the truth that he would never attain in his highest
manhood until he had allied himself to a womanhood which he should
come to believe supremely true and beautiful.
Public-domain text, read in full here on John Shaqi.
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