American fiction -- 19th century; Artists -- Fiction
The ringing of the bell announced his landing, and in the hurry and
bustle of looking after his luggage and obtaining a ticket which he
had forgotten to procure, he speedily became again, in the world's
estimation, and perhaps in his own, a practical, sensible man. An
hour or two's ride among he hills brought him at last to the Lake
House, where he selected a room that had a fine prospect of the
mountains, the far distant river, and the adjacent open country,
engaging it only for a brief time so that he might depart when he
chose, in case the object of his pursuit should not appear, or he
should weary of the effort, or despair of its success.
A few days passed, but the face which had so haunted his fancy
presented no actual appearance. The scenery, however, was beautiful,
the weather so perfect, and he enjoyed his rambles among the hills
and his excursions on the water so thoroughly that he was already
growing slightly forgetful of his purpose and satisfied that he
could enjoy himself a few weeks without the zest of artistically
redeeming the face of Ida Mayhew. But one day, while at dinner,
he overheard some gossip concerning a "great belle" who was to come
that evening, and he at once surmised that it was the fair stranger
he had seen at the concert.
At the time, therefore, of the arrival of the evening stage he
observantly puffed his cigar in a corner of the piazza, and was
soon rewarded by seeing the object of his contemplated experiment
step out of the vehicle, with the airy grace and confidence of one
who regards each new abiding-place as a scene of coming pleasures
and conquests, and who feels sure every glance toward her is one
of admiration. There were eyes, however, that noted disapprovingly
her jaunty self-assurance and self-assertion, and when she met those
eyes her complacency seemed disturbed at once, for she flushed and
promptly turned her back upon them. In fact, from the time she
had first seen Van Berg's frowning face it had been a disagreeable
memory, and now here it was again and frowning still. Although
he sat at a distance from the landing-place, her eyes seemed drawn
towards his as if by some fascination, and she already had the
feeling that whenever he was present she would be conscious of his
cool, critical observation.
Van Berg had scarcely time to note a rather stout and overdressed
person emerge from the stage, how was evidently the young lady's
mother, when Ik Stanton, with his bays and a light country wagon,
dashed up to the main entrance. Stanton was an element in the
artistic problem that Van Berg had not bargained for, and what
influence he would have, friendly or adverse, only time could show.
While Stanton was accompanying his aunt and cousin to the register,
as the gentleman of the party, the young lady said to him:
"That horrid artist friend of yours is here. I wish he hadn't
come. Did you tell him we were coming here?"
"No, 'pon my honor."
Public-domain text, read in full here on John Shaqi.
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