He spent the evenings in the counting-house, because Arina Petrovna
refused to supply him with candles. Several times, through the
bailiff, he asked for boots and a fur coat, and was invariably told
that boots were not kept in store for him, but that he would be given
a pair of felt shoes as soon as the cold spells arrived. Evidently,
Arina Petrovna intended to fulfill her program literally, that was,
to sustain her son in such a manner as barely to keep him from
starvation. At first he abused his mother, but then behaved as though
he had forgotten all about her. Even the light of the candles in the
counting-room annoyed him, and he began to lock himself in his room
and remain all alone in the darkness. There was just a single refuge
left, one that he still dreaded but that attracted him irresistibly,
to get drunk and forget deeply, irrevocably, to plunge into the sea
of oblivion and never emerge again. Everything drove him to it, the
debauchery of the past, the enforced idleness of the present, his
ailing body with the torturing cough, the unbearable asthma, and the
constantly increasing pains in his heart. At last the hour came.
"You must fetch me a bottle of vodka for to-night," he said once to the
village clerk in a voice boding little good.
That one bottle of vodka was followed by a long succession of other
bottles. After that he got drunk every night. At nine o'clock, when
the light in the counting-house had been put out and the servants had
retired to their quarters, he placed a bottle of vodka and a slice of
rye bread thickly strewn over with salt on the table. He did not attack
the liquor at once, but approached it stealthily as it were. Everybody
on the place was fast asleep. The mice scudded behind the wall paper
and the clock in the counting-house ticked ominously. Stepan threw off
his dressing-gown, and began to stride back and forth in the overheated
room, with nothing but a shirt on his back. At times he stopped, went
over to the table, searched for the bottle in the darkness, then
resumed his restless pacing. The first tumblers he emptied in a sort of
passion, voluptuously swallowing down the burning liquid. But little by
little his heart began to beat faster, the blood mounted to his head,
and he mumbled incoherently. His feeble imagination tried to create
images, his blunted memory attempted to pierce the mists of the past.
But the images were broken and meaningless, and the past remained dim
and formless. There was no recollection, either bitter or sweet, as
though an impervious wall separated the past from the present.
He was completely filled by the present, which seemed like a prison
cell, in which he would be locked up for eternity without consciousness
of time or space. His mind took in nothing but the room, the stove,
the three windows in the front wall, the squeaking wooden bed with its
mattress worn thin, and the table with the bottle.
Public-domain text, read in full here on John Shaqi.
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