--'Shimadai is a representation of the Mount Horai which I have just mentioned. In later days Jo-tom-ba, more correctly Jo-to-uba, that is, the old couple of Takasago, came to be usually to be represented with it as well Jo-tom-ba were mythical man and wife who lived very long and happy lives. They are supposed to have dwelt in the beautiful pine forests on the lovely seashore of Takasago, where they spent their days in gathering pine needles. Small artificial mounts and pine forests and figures of the aged couple are tastefully arranged on a clean tray of white wood, the edges of the tray being indented in order to represent an idea of the sea-coast, with some cranes on the branches of the pine, generally with a nest and young ones, as well as the hair-tailed tortoise on the seashore. Cranes and tortoises play their part in our ceremonies so often, you see. I will here tell you the gist of a common song. Once a crane married a tortoise. Now, cranes are supposed to live one thousand years and tortoises ten thousand years. In the course of a duet pouring forth their touching sentiments, the wife gives vent to her thought to this effect: she feels sad at the idea that after a happy life of nigh a thousand years she would have to lead a young widow's life for nine thousand years.' --'For us mankind a thousand years is long enough. But please proceed with the main story.' --'Very well,' said I: 'the bridegroom and bride are seated _vis-à-vis_ before the Toko-no-ma at a distance, with the officiating person next the bridegroom, and his wife next the bride, each giving assistance to the bridegroom and bride respectively. The me-cho (she-butterfly) and o-cho (he-butterfly) enter.' --'What's that?' --'Well, you see, butterflies are very beautiful, and when in couples are very amiable to each other. If you see them flying about in the fields, now touching the flowers, now playing with each other, you can well imagine what happy lives they lead. At the wedding two virgins are chosen to represent a male and a female butterfly. They each hold a 'choshi,' a vessel with a long handle for holding saké. To one of the vessels a male butterfly made of paper is fastened, and to the other a female. They both, simultaneously, pour out a few drops for the bride and bridegroom successively, the idea being that two butterflies help the rites.' --'Your idea of butterflies seems to be different from ours.' --'Well, we do not attach to them the sense of frivolity. At all events, in case of wedding the point taken into consideration is different. They are also pictured as a symbol of Dream based upon a discourse of an ancient Chinese philosopher, who said that when he became a butterfly in a dream he had no other notion than being a real butterfly, and therefore he could not vouchsafe that his present _ego_ was not similarly a phenomenon of a greater Dream.' --'But you haven't yet explained where and how the cups are brought in.'