A Fantasy of Far Japan; Or, Summer Dream DialoguesSuematsu, Kencho
Philosophy
A Fantasy of Far Japan; Or, Summer Dream Dialogues
Suematsu, Kencho
Japan -- Civilization
--'The cups generally consist of a set of three, usually of plain,
clean earthenware. They are put on a tray of pure white wood with legs
called Sambo--a dumb waiter, if you like. They are generally placed
together with the saké vase at the Toko-no-ma before the ceremony
begins, and are taken out at the bidding of the officiating person by
the butterflies. The exchanging of cups between the bride and bridegroom
is rather complicated. Each time the bride or bridegroom holds up the
cup, three drops of saké are poured into it by each butterfly, and this
is repeated three times, and therefore this part is called San-san-kudo,
that is, three threes making nine, and that phrase is commonly used to
signify a marriage ceremony. This part of the ceremony requires much
formality. People concerned have to take some lessons beforehand. But
remember people generally do not indulge on such occasions in swallowing
too great a quantity, whatever their capacities may be.'
--'No joking, please.'
--'Very well. When this part of the ceremony is over, the officiating
person, or a special person who is called into the next room for the
purpose, sings a short song called Takasago (one of the classical
Japanese songs called "utai"). The song is founded upon the story of the
aged couple of whom I spoke, and is regarded as a contribution of good
presage. But remember, officiating persons are often indifferent
singers, consequently they often merely utter in tone a few words of the
song. I remember a very amusing incident. It was told me by the
Marchioness Ito. At the wedding of Isaburo Yamagata, son of Marquis
Yamagata, Marquis Ito was the officiating person. He was unable to sing,
so he said when the moment for singing came, "Isa, let us suppose I have
sung. If father asks you what I have done, tell him I have sung all
right." The marchioness restrained herself with great difficulty from
bursting into laughter. That kind of incident sometimes occurs in
reality.'
--'No wonder: people are not always singers. But pray proceed.'
--'The banquet now begins: bride and bridegroom now appear as a married
couple, ceremonial cups are exchanged as a token of the cementing of the
new relationship of those present, and after a good deal of merriment
the couple retire and the guests disperse. On that day the bride and
bridegroom wear ceremonial dress as a matter of course. It being a grand
day for a woman, it is natural enough that the bride should get herself
up as well as she can. I dare say the Western bride does the same, is it
not so, madam?'
--'I hear, but please proceed,' said the marchioness.
--'The bride generally wears a dress with bright designs and very long
sleeves. But it would be somewhat different if the bride were an old
maid or an aged widow, don't you think so?'
--'Please really no more joking. What elderly widow could dress like a
young bride?'
Public-domain text, read in full here on John Shaqi.
A Fantasy of Far Japan; Or, Summer Dream Dialogues — John Shaqi
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