American fiction -- 19th century; California -- Fiction; Contra Costa County (Calif.) -- Fiction; Western stories
“You see, ladies,” continued the surveyor, appealing to them with
unabashed rigidity of feature, “the cards don't lie! Luckily we are in
a position to corroborate them. The road in question is a secret known
only to us and some capitalists in San Francisco. In fact even THEY
don't know that it is feasible until WE report to them. But I don't mind
telling you now, as a slight return for your charming hospitality, that
the road is a RAILROAD from Oakland to Tasajara Creek of which we've
just made the preliminary survey. So you see what the cards mean is
this: You're not far from Tasajara Creek; in fact with a very little
expense your father could connect this stream with the creek, and have a
WATERWAY STRAIGHT TO THE RAILROAD TERMINUS. That's the wealth the cards
promise; and if your father knows how to take a hint he can make his
fortune!”
It was impossible to say which was the most dominant in the face of the
speaker, the expression of assumed gravity or the twinkling of humor in
his eyes. The two girls with superior feminine perception divined
that there was much truth in what he said, albeit they didn't
entirely understand it, and what they did understand--except the man's
good-humored motive--was not particularly interesting. In fact they
were slightly disappointed. What had promised to be an audaciously
flirtatious declaration, and even a mischievous suggestion of marriage,
had resolved itself into something absurdly practical and business-like.
Not so Mr. Harkutt. He quickly rose from his chair, and, leaning over
the table, with his eyes fixed on the card as if it really signified the
railroad, repeated quickly: “Railroad, eh! What's that? A railroad to
Tasajara Creek? Ye don't mean it!--That is--it ain't a SURE thing?”
“Perfectly sure. The money is ready in San Francisco now, and by this
time next year--”
“A railroad to Tasajara Creek!” continued Harkutt hurriedly. “What part
of it? Where?”
“At the embarcadero naturally,” responded Grant. “There isn't but the
one place for the terminus. There's an old shanty there now belongs to
somebody.”
“Why, pop!” said Phemie with sudden recollection, “ain't it 'Lige
Curtis's house? The land he offered”--
“Hush!” said her father.
“You know, the one written in that bit of paper,” continued the innocent
Phemie.
“Hush! will you? God A'mighty! are you goin' to mind me? Are you goin'
to keep up your jabber when I'm speakin' to the gentlemen? Is that your
manners? What next, I wonder!”
Public-domain text, read in full here on John Shaqi.
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