American fiction -- 19th century; California -- Fiction; Contra Costa County (Calif.) -- Fiction; Western stories
The sudden and unexpected passion of the speaker, the incomprehensible
change in his voice, and the utterly disproportionate exaggeration of
his attitude towards his daughters, enforced an instantaneous silence.
The rain began to drip audibly at the window, the rush of the river
sounded distinctly from without, even the shaking of the front part
of the dwelling by the distant gale became perceptible. An angry flash
sprang for an instant to the young assistant's eye, but it met the
cautious glance of his friend, and together both discreetly sought the
table. The two girls alone remained white and collected. “Will you go on
with my fortune, Mr. Grant?” said Phemie quietly.
A certain respect, perhaps not before observable, was suggested in the
surveyor's tone as he smilingly replied, “Certainly, I was only waiting
for you to show your confidence in me,” and took up the cards.
Mr. Harkutt coughed. “It looks as if that blamed wind had blown suthin'
loose in the store,” he said affectedly. “I reckon I'll go and see.” He
hesitated a moment and then disappeared in the passage. Yet even here he
stood irresolute, looking at the closed door behind him, and passing his
hand over his still flushed face. Presently he slowly and abstractedly
ascended the flight of steps, entered the smaller passage that led to
the back door of the shop and opened it.
He was at first a little startled at the halo of light from the
still glowing stove, which the greater obscurity of the long room had
heightened rather than diminished. Then he passed behind the counter,
but here the box of biscuits which occupied the centre and cast a shadow
over it compelled him to grope vaguely for what he sought. Then he
stopped suddenly, the paper he had just found dropping from his fingers,
and said sharply,--
“Who's there?”
“Me, pop.”
“John Milton?”
“Yes, sir.”
“What the devil are you doin' there, sir?”
“Readin'.”
It was true. The boy was half reclining in a most distorted posture on
two chairs, his figure in deep shadow, but his book was raised above his
head so as to catch the red glow of the stove on the printed page.
Even then his father's angry interruption scarcely diverted his
preoccupation; he raised himself in his chair mechanically, with his
eyes still fixed on his book. Seeing which his father quickly regained
the paper, but continued his objurgation.
“How dare you? Clear off to bed, will you! Do you hear me? Pretty
goin's on,” he added as if to justify his indignation. “Sneakin' in here
and--and lyin' 'round at this time o' night! Why, if I hadn't come in
here to”--
“What?” asked the boy mechanically, catching vaguely at the unfinished
sentence and staring automatically at the paper in his father's hand.
“Nothin', sir! Go to bed, I tell you! Will you? What are you standin'
gawpin' at?” continued Harkutt furiously.
Public-domain text, read in full here on John Shaqi.
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