A Fleet in Being: Notes of Two Trips With The Channel SquadronKipling, Rudyard
General
A Fleet in Being: Notes of Two Trips With The Channel Squadron
Kipling, Rudyard
Great Britain. Royal Navy
To her just and picturesque demands the Yard opposes the suspicion of
Centuries, saying, unofficially: ‘You are all a set of discontented and
impenitent thieves. Go away.’ The ship, considering her own comfort and
well-being for the rest of the commission, replies, also unofficially:
‘Ah, you’re thinking of the So-and-so. She a nest of pirates if you
like: but we’re good. We’re the most upright ship you ever clapped
eyes on, and you’re the finest Yard in the Kingdom. You’re up to all
the ropes. There’s no getting round you, and you’ll pass our indents.
We won’t give you any trouble. Just a few minor repairs, and our own
people will carry them out. Don’t disturb yourself in the least. Send
the stuff alongside and we’ll attend to it.’
And when the stuff comes alongside in charge of a slow-minded
understrapper they do attend to it. They talk the man blind and dumb,
sack his cargoes, and turn him adrift to study vouchers at his leisure.
Then the First Lieutenant grins like a Cheshire cat; the carpenter,
so called because he very rarely deals with wood, the armourer and the
first-class artificers sweat with joy, and the workshop lathes buzz and
hum. But the understrapper gets particular beans because a great part of
his stuff was meant for another ship, and she is very angry about it.
STOLEN PAINT
Late in the afternoon the defrauded vessel sends over a boat to the
_Early_ and wants to know if she has seen or heard anything of some oak
baulks, a new gangway grating, some brass-work, and a few drums of white
paint.
‘Why, was that yours?’ says the First Lieutenant. ‘We thought it
was ours.’
‘Well, it isn’t. It’s ours. Where is it?’
‘I’m awfully sorry, but—I say, won’t you come and have a drink?’
They come—just in time to see the brass rods in position, the oak baulks
converted into some sort of boat-furniture; the gangway platform receives
their weary feet, and a fine flavour of paint from a flat forward tells
them all they will ever know of the missing drums.
Then they call the First Lieutenant a pirate, and he, poor lamb, says that
he was misled by the chuckle-headed understrapper who brought the stuff
alongside. Words cannot express the First Lieutenant’s contrition. It
is too bad, too bad, but you know what asses these Dockyard chaps can
be.’
With soft words and occasional gin and bitters he coaxes the visitors
into their boat again, for he has studied diplomacy under West African
Kings. They return to their own place, being young and guileless, and
their reception is not cordial. Their Captain says openly that he has
not one adequate thief in the ship, and that they had better go into the
Church. They should have captured the understrapper early in the day. He
will speak to the other Captain. And he does, like a brother, next time
he meets him, galley passing galley, going to call on the Admiral.
‘You infernal old pirate! What have you done with my paint?’ cries
the robbed one.
Public-domain text, read in full here on John Shaqi.
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