A Fleet in Being: Notes of Two Trips With The Channel SquadronKipling, Rudyard
General
A Fleet in Being: Notes of Two Trips With The Channel Squadron
Kipling, Rudyard
Great Britain. Royal Navy
The Captain’s coxswain is always an important person. As a rule the
Captain has known him for a long time, often for ten or fifteen years,
and the man follows his superior’s fortunes with unswerving loyalty,
till he blossoms into the dignity of coxswain of the Admiral’s barge,
beside whom dukes are not even three a penny. He is, by virtue of
his office, the smartest man in the ship, and by training becomes a
clean-shaved miracle of tact and discretion. Each boat’s crew have
a life of their own, a little world, into which they enter, picking up
where they left off, so soon as cutter or whaler leaves the ship’s
side; but I fancy the _esprit de corps_ is most strongly developed in
the Captain’s galley. On one occasion we had been out all day fishing,
and the wind forced us to row the long seven miles back to the fleet,
against the tide, round rocky points fringed with conflicting currents.
It was a lumpy and disheartening sea, leaden grey in the twilight
except where the shoals cast up wisps and smudges of half-phosphorescent
white—a three hours’ journey, enlivened by the incessant dry roar
and rattle of the surf around Roancarrig and the answering growl of
the waves on the mainland. I watched the untiring machine digging out
over the steep-pitched cross-waters; eight pair of shoulders rising and
falling against the first stars and the smoke of spray about the bows;
till every muscle in me ached out of sympathy. Thrice they were invited
to rest themselves, for they had been ten hours at work, and there was
six hundred pounds’ dead weight of fish in the boat; and thrice they
replied: ‘Oh, we can jog on like this, sir.’ So they jogged with
never a quiver or a falter through all the tumble, and when we reached
still water, under the lee of the ships, they spurted up the avenue as
though returning from a call on the flagship half a mile away. I demanded
of the coxswain how this thing was done.
‘Oh, you get used to it,’ said he. ‘Besides, that wasn’t anything
particular. Sometimes you have the boat half full of water, jumping out
and coming down like a hammer. That’s the time you learn to row.’
‘I see. Why didn’t some of you miss your stroke in that tumble coming
round the point when we took the water over the bows?’
‘Well,’—still the same smile—‘if you did that—why, you
wouldn’t be in the galley. There’s all the other boats to practise
_that_ in. You’ve never seen her properly under sail, have you?’
For sheer luxury of motion, commend me to a galley which has just
“taken on” a brother captain’s craft for a small walk down the bay.
The rig is simplicity itself: there is a man to every rope that vitally
communicates with anything: and the most highly trained shifting-ballast
in the world, spread low between the thwarts, obeys the wave of the hand.
NOTE III
THE ART OF GUNNERY
Public-domain text, read in full here on John Shaqi.
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