“Oh, to be sure! When is it to be? We must all go. Our Nina has been telling Florida of the grand sights,--little children dressed up like John the Baptist, leading lambs. I suppose it’s a great event with you.” The priest shrugged his shoulders, and opened both his hands, so that his hat slid to the floor, bumping and tumbling some distance away. He recovered it and sat down again. “It’s an observance,” he said coldly. “And shall you be in the procession?” “I shall be there with the other priests of my parish.” “Delightful!” cried Mrs. Vervain. “We shall be looking out for you. I shall feel greatly honored to think I actually know some one in the procession. I’m going to give you a little nod. You won’t think it very wrong?” She saved him from the embarrassment he might have felt in replying, by an abrupt lapse from all apparent interest in the subject. She turned to her daughter, and said with a querulous accent, “I wish you would throw the afghan over my feet, Florida, and make me a little comfortable before you begin your reading this morning.” At the same time she feebly disposed herself among the sofa cushions on which she reclined, and waited for some final touches from her daughter. Then she said, “I’m just going to close my eyes, but I shall hear every word. You are getting a beautiful accent, my dear, I know you are. I should think Goldoni must have a very smooth, agreeable style; hasn’t he now, in Italian?” They began to read the comedy; after fifteen or twenty minutes Mrs. Vervain opened her eyes and said, “But before you commence, Florida, I wish you’d play a little, to get me quieted down. I feel so very flighty. I suppose it’s this sirocco. And I believe I’ll lie down in the next room.” Florida followed her to repeat the arrangements for her comfort. Then she returned, and sitting down at the piano struck with a sort of soft firmness a few low, soothing chords, out of which a lulling melody grew. With her fingers still resting on the keys she turned her stately head, and glanced through the open door at her mother. “Don Ippolito,” she asked softly, “is there anything in the air of Venice that makes people very drowsy?” “I have never heard that, madamigella.” “I wonder,” continued the young girl absently, “why my mother wants to sleep so much.” “Perhaps she has not recovered from the fatigues of the other night,” suggested the priest. “Perhaps,” said Florida, sadly looking toward her mother’s door. She turned again to the instrument, and let her fingers wander over the keys, with a drooping head. Presently she lifted her face, and smoothed back from her temples some straggling tendrils of hair. Without looking at the priest she asked with the child-like bluntness that characterized her, “Why don’t you like to walk in the procession of Corpus Domini?” Don Ippolito’s color came and went, and he answered evasively, “I have not said that I did not like to do so.”