A Garden of Peace: A Medley in Quietude — John Shaqi
A Garden of Peace: A Medley in QuietudeMoore, Frank Frankfort
General
A Garden of Peace: A Medley in Quietude
Moore, Frank Frankfort
Gardens -- Fiction
There was obviously not much to improve in all this. We were quite
satisfied with everything as it stood. There was nothing whatsoever of
the wilderness that we could cause to blossom as the rose, only--not a
rose was to be seen in any part of the garden!
We were conscious of the want, for our Kensington garden had been a mass
of roses, and we were ready to join on to Victor Hugo's “_Une maison
sans enfants,” “un jardin sans roses?_” But we were not troubled; roses
are as easily to be obtained as brambles--in fact rather more easily--
and we had only to make up our minds where to plant them and they would
blush all over the place the next summer.
We had nothing to complain of but much to be thankful for, when, after
being in the house for a month, I found the old gardener, whom we had
taken over with the place, wheeling his barrow through a doorway which I
knew led to a dilapidated potting-shed, and as I saw that the barrow
was laden with rubbish I had the curiosity to follow him to see where he
should dispose of it.
He went through a small iron gate in the wall alongside the concealed
potting-house, and, following him, I found myself to my amazement in a
small walled space, forty feet by thirty, containing rubbish, but giving
every one with eyes to see such a picture of the Barbican, the Castle
Gate with the Keep crowning the mound beyond, as made me shout--such a
picture as was not to be found in the county!
If it had a fault at all it was to be found in its perfection. Every
one has, I hope, seen the Sham Castle, the castellated gateway, built on
Hampton Down, near Bath, to add picturesqueness to the prospect as seen
from the other side. This is as perfectly made a ruin as ever was built
up by stage carpenters. There was no reason why it should not be so,
for it was easy to put a stone in here and there if an improvement were
needed, or to dilapidate a bit of a tower until the whole would meet
with the approval even of the Ecclesiastical Commissioners, who are, I
am given to understand, the best informed authorities in England on the
assessment of dilapidations. I must confess that the first glimpse I
had of the picture that stood before my eyes above my newly-acquired
rubbish-heaps suggested the perfection of a sham. The _mise-en-scène_
seemed too elaborate--too highly finished--no detail that could add to
the effect being absent. But there it was, and I remained looking at it
for the rest of the day.
The over-conscientious agents had said not a word in the inventory
of the most valuable asset in connection with the property. They
had scrupulously advertised the “unique and valuable old-fashioned
residence,” and the fact that it was partially “covered by creepers”--a
partiality to which I was not very partial--and that the “billiard
saloon” had the same advantages--they had not failed to allude to the
gardens as “old-world and quaint,” but not one word had they said about
this view from the well-matured rubbish-heaps!
Public-domain text, read in full here on John Shaqi.
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