A Garden of Peace: A Medley in QuietudeMoore, Frank Frankfort
General
A Garden of Peace: A Medley in Quietude
Moore, Frank Frankfort
Gardens -- Fiction
It was at this point that I began to think about improvements, and the
first essay in this direction was obvious. I had the rubbish removed,
the ground made straight, a stone sundial placed in the centre, and a
Dutch pattern of flower-beds cut around it.
On the coping of the walls--they were only six feet high on our side,
but forty on the culside--I placed lead and stone vases and a balustrade
of wrought iron-work. I made an immense window in the wall of the
potting-shed--a single sheet of plate-glass with four small casements
of heraldic stained glass; and then the old potting-shed I panelled in
coloured marbles, designed a sort of domed roof for it and laid down a
floor in mosaics. I had in my mind a room in the Little Trianon in all
this; and I meant to treat the view outside as a picture set in
one wall. Of course I did not altogether succeed; but I have gone
sufficiently far to deceive more than one visitor. Entering the room
through a mahogany door set with a round panel of beautifully-clouded
onyx--once a table-top in the gay George's pavilion' at Brighton--a
visitor sees the brass frame of the large window enclosing the picture
of the Barbican, the Gateway, and the Keep, and it takes some moments to
understand it.
All this sounds dreadfully expensive; but through finding a really
intelligent builder and men who were ready to do all that was asked of
them, and, above all, through having abundance of material collected
wherever it was going at shillings instead of pounds, I effected the
transformation at less than a sixth of the lowest assessment of the cost
made by professional friends. To relieve myself from any vain charge
of extravagance, I may perhaps be permitted to mention that when the
property was offered for sale in London a week before I bought it, not
a single bid was made for it, owing to an apparent flaw in one of the
title-deeds frightening every one off. Thus, without knowing it. I
arrived on the scene at the exact psychological moment--for a purchaser;
and when I got the place I found myself with a considerable sum in hand
to spend upon it, and that sum has not yet been all spent. The bogey
fault in the title was made good by the exchange of a few letters, and
it is now absolutely unassailable.
It must also be remembered by such people as may be inclined to talk of
extravagance, that it is very good business to spend a hundred pounds
on one's property if the property is thereby increased in value by three
hundred. I have the best of all reasons for resting in the assurance
that for every pound I have spent I am three to the good. There is no
economy like legitimate expenditure.
I wonder if real authorities in garden design would think I was right in
treating after the Dutch fashion the little enclosed piece of ground on
which I tried my prentice hand.
Public-domain text, read in full here on John Shaqi.
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