A German Pompadour: Being the Extraordinary History of Wilhelmine van Grävenitz, Landhofmeisterin of WirtembergHay, Marie, Hon. (Agnes Blanche Marie)
General
A German Pompadour: Being the Extraordinary History of Wilhelmine van Grävenitz, Landhofmeisterin of Wirtemberg
Hay, Marie, Hon. (Agnes Blanche Marie)
Grävenitz, Christina Wilhelmina von, 1685-1744
When Wilhelmine von Graevenitz appeared at the Guestrow school, a
curly-haired child, Monsieur Gabriel had immediately fallen victim to her
wayward charm, and had lavished much care on her studies. He taught her
French thoroughly. 'I am told,' he was wont to say, 'that even in Germany
no lady speaks aught save French, and you, my child, must be a great lady
some day. Believe me, there is no more magnificent being than a true
_grande dame_, and for this destiny the good God fashioned you.' He
trained Wilhelmine in music, till thorough-bass, counterpoint, and the
rest became to her an easy exercise. He read her of the history of
France; taught her to know and love the _Roman de la Rose_, and the poems
of the singers of La Pleiade. Often he would quote Malherbes, saying with
a smile and a sigh as he looked at her radiant youth: 'Et rose, elle a
vecu ce que vivent les roses, l'espace d'un matin; for,' he said, 'the
flowers of the world fade quickly, and thou art surely a flower, my
little one.' He read her the works of Racine, Corneille, Moliere, all of
which learning she assimilated rapidly, and with an accuracy which
delighted the old scholar. Sometimes, of an evening, he would keep her
with him long after school hours, and one winter he took it into his head
that she must learn to dance. He tied an inky tablecloth to her shoulders
to serve as a sweeping garment. It was infinitely droll to see the two,
mincing, bowing, and pirouetting in front of the mirror. 'You must _see_
yourself curtsey,' he said, 'if you would learn the real movement.' He
taught her the gavotte, the pavane, and many other dances, playing the
measures on an old violin the while. The school desks served for dummy
dancers, and were arranged to give her a notion of the ordering of the
figures. The aged recluse, in his musty coat, seemed transformed into a
very courtly gentleman, but Wilhelmine always fancied that his eyes were
more melancholy than usual after these mimic courts. One day she asked
him if it saddened him to revoke the past. 'Ah! mon enfant!' he replied,
'que voulez-vous? un coeur profondement blesse ne guerit jamais; and
the melodies of these dances remind me of my wound, which I thought had
healed in your peaceful northern land. Ah! little one, there is no sadder
music to the old than the dance-music of a vanished youth.'
While Wilhelmine read her brother's letter on that cold December morning,
it was to Monsieur Gabriel she at once decided to confide its surprising
contents. Her mother, she knew, would raise a dozen difficulties, and it
were best to talk with Monsieur Gabriel and devise some means of
procuring sufficient money to pay the cost of her journey to Wirtemberg.
Then, if they could hit upon a scheme to propose to Frau von Graevenitz,
there was more likelihood of gaining her consent. But the music had
changed Wilhelmine's mind, and as she climbed up to the organ-loft she
was almost prepared to abandon her intended journey.
Public-domain text, read in full here on John Shaqi.
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