A German Pompadour: Being the Extraordinary History of Wilhelmine van Grävenitz, Landhofmeisterin of WirtembergHay, Marie, Hon. (Agnes Blanche Marie)
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A German Pompadour: Being the Extraordinary History of Wilhelmine van Grävenitz, Landhofmeisterin of Wirtemberg
Hay, Marie, Hon. (Agnes Blanche Marie)
Grävenitz, Christina Wilhelmina von, 1685-1744
'Monsieur Gabriel!' she said, 'I have great news, so strangely unexpected
that I wonder if I am dreaming it! Read this letter of my brother's, and
give me your advice.' The old man stretched out his left hand to take the
paper, while his right hand remained on the organ keys, and as he read he
played a few chords. 'Helas!' he murmured as he refolded the letter, 'so
the time has come when you must go forth into the world. Well, well--it
is right; you are wasted here, though God knows it will be very dark
without you.'
'But, Monsieur Gabriel,' she said, 'you talk as though I should start
to-morrow! I have not told my mother yet, and I have come to you for
advice. Where could I get the money to pay my journey? It will cost many
gulden.'
The old man smiled. 'Money? your brother sends you none, of course? Your
mother? she also has none. Does Friedrich think you can fly southward on
a swallow's wing? And the swallows have gone to the south long ago,' he
added dreamily.
'O Monsieur Gabriel,' cried Wilhelmine, 'help me!--you have always helped
me! tell me where to get this money.'
'My child, I must think; do you know what the cost will be? No, nor I
either; but let me see--how long has this letter been on the
road?--sixteen days--and you could not travel so far without rest and
refreshment. Well! you must have a hundred gulden. But, child, to what am
I sending you?'
Wilhelmine started; she knew by his last words that he could procure the
money.
'To success!' she answered in a low voice.
'Success? Yes, probably, but that is the greatest danger! We can most of
us remain pure of heart, tender, generous while we are poor or sad, but
it is when the world smiles that the heart so often grows cold and hard.'
Wilhelmine clambered on to the organ bench, pushing Monsieur Gabriel
gently aside. She struck a chord, but the half-witted bellows-blower,
whose presence they had forgotten, had ceased to pump air into the organ,
and there came only a painful droning from the empty pipes. She called to
him imperiously, and with a muttered grumble he resumed his pumping.
'A bad omen,' said Wilhelmine; 'I strike a chord and I achieve dissonance
and wailing.' She threw back her head and pressed her fingers on the
keyboard: this time a thin flute-like chord came forth, and Wilhelmine
lifted her voice and sang:
'Cher ami de ma jeunesse
Souriez a ma liesse--
Au Printemps chansons et fleurs!
Pour l'hiver gardons les pleurs.
Cher ami, la vieillesse
Est reveche a l'alegresse
Je cueillerai les douces fleurs
Pour l'hiver gardant mes pleurs.'
Public-domain text, read in full here on John Shaqi.
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