Paris (France) -- History -- Commune, 1871 -- Fiction
There would be county gatherings to attend, and he would naturally be
expected to hunt and to shoot. It had all seemed to him inexpressedly
dreary. Now all that was, if Brander's fears were realized, at an end,
even if it should not turn out to be as bad as that, the sum he would be
called upon to pay might be sufficient to cripple the estate and to
afford him a good and legitimate excuse for shutting up or letting the
house, and going away to retrench until the liabilities were all cleared
off. Of course he would have to work in earnest now, but even the
thought of that was not altogether unpleasant.
"I believe it is going to be the best thing that ever happened to me,"
he said to himself. "I know that I should never have done anything if it
hadn't been for this, and though I am not fool enough to suppose I am
ever going to turn out anything great, I am sure that after a couple of
years' hard work I ought to paint decently, and anyhow to turn out as
good things as some of those men. It is just what I have always been
wanting, though I did not know it. I am afraid I shall have to cut all
those dear old fellows, for I should never be able to give myself up to
work among them. I should say it would be best for me to go over to
Paris; I can start on a fresh groove there. At my age I should not like
to go through any of the schools here. I might have three months with
Terrier; that would be just the thing to give me a good start; he is a
good fellow but one who never earns more than bread and cheese.
"There isn't a man in our set who really knows as much about it as he
does. He has gone through our own schools, was a year at Paris, and
another at Rome. He has got the whole thing at his fingers' ends, and
would make a splendid master if he would but go in for pupils, but with
all that he can't paint a picture. He has not a spark of imagination,
nor an idea of art; he has no eye for color, or effect. He can paint
admirably what he sees, but then he sees nothing but bare facts. He is
always hard up, poor fellow, and it would be a real boon to him to take
me for three months and stick at it hard with me, and by the end of that
time I ought to be able to take my place in some artist's school in
Paris without feeling myself to be an absolute duffer among a lot of
fellows younger than myself. By Jove, this news is like a breeze on the
east coast in summer--a little sharp, perhaps, but splendidly bracing
and healthy, just the thing to set a fellow up and make a man of him. I
will go out for a walk and take the dogs with me."
Public-domain text, read in full here on John Shaqi.
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