“Oh, fine, boy—scrumptious!” Uncle Hank’s eyes fastened upon them
with a pleased look. Then he hesitated, holding one of them up to
note that it was fresh and new. “But these are mighty good gloves,
Charley, to—”
“I hope to heaven they are!” cried Van Brunt, and his pale face
reddened. “I hope they’re good enough to make right a man’s broken
promise.”
Uncle Hank said no more. One at each side of the desk, the two men
worked for a time in silence, the watcher at the door drawing her
breath softly lest it betray her presence. Suddenly the elder man
began to speak:
“Ye see, Charley, I was a widder’s boy—the oldest; and the mother
she used to make doll-babies for the little chaps. I’ve set up of
nights toward Christmas, before now, to work this-here sort of
racket. But mammy and me, we couldn’t paint—nary one of us—not a
bit. A lead-pencil or pen and ink; eyes and nose and mouth—laid out
mighty flat and square, I’m bound to say—’twas all the face them
dolls of ours ever got. The hair was generally ink, too. The best we
could do in that line would be some onraveled tow rope. This here
Miss High Stepper’s face and hair are simply the finest ever.”
As he spoke he moved aside a little, and Hilda caught her breath in
a gasp of incredulous joy. What vision of delight was this Uncle
Hank held forth, turning his head to look at it sidewise, half
questioning, half pleased?
Muslin had furnished the ground tone for its delicate complexion.
Charles Van Brunt, with the help of his color-box, had been placing
thereon not the usual countenance of the store doll, but the roguish
face of a gay little mischief. There was nothing tame in her
sweetness. Heavily black-fringed blue eyes looked out at you with
stimulating significance. The lips smiled saucily. The long-fleeced
Angora goatpelt had yielded a head of streaming crinkled tresses,
which (after an interview with the color-box) showed an adorable
gamboge tint. Head and body were fairly proportioned and
well-shaped; and small anatomical inaccuracies were more than
compensated for by her _beaute du diable_.
“What’s the matter with that?” cried the young father boyishly.
“Say, she’s a corker, Hank!”
But now a new thought came to Hilda, which made her drag her
fascinated eyes resolutely from the beautiful, smiling water-color
face. They wished her to know nothing of the doll—to be surprised.
With a last doting glance which caressed its perfections, she moved
noiselessly back across the dark hall and into the sitting-room,
shivering but ecstatic; oh, how different a creature from the
bereaved little soul who had crossed that room, leaden-footed,
sore-hearted, but a few moments back! She drew her slim legs up
deliciously under the warm covers that seemed to close about her
like the very arms of love, and with a deep, deep sigh of perfect
peace, relaxed her comforted spirit to sleep.
Public-domain text, read in full here on John Shaqi.
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