Silence enfolded the ranch house. All the little nocturnal sounds
that noisy daylight blurs or blots out gradually became audible.
Somebody walked across the upstairs hall in stockinged feet. There
was a stamping among the ponies down at the corral. A little owl
called sleepily from the willows over by the irrigating ditch.
Hours afterward, when she wakened—this time on her bed in her own
room, whither she had been carried and undressed in that sound
sleep—she found a radiant being perched upon a table beside her
pillow.
Save for the presence of the doll herself, the child could never
have believed but that the vision of last night was a dream. When
later Uncle Hank explained to her, with her father’s assistance,
that the beautiful Fort Worth doll had only been withheld from her
the day before because it was a surprise, she accepted the
explanation with a look and manner singular even for Hilda. There
was something exultant in the seven-year-old’s bearing and in her
thought. Her doll had a different origin from Maybelle Marchbanks’,
or those that belonged to any other little girl in the world. Uncle
Hank was not telling her the truth. It was not so, that her father
had bought the doll. But her imaginative soul seized eagerly
upon the spirit of the thing. All statements—and they were
voluminous—concerning the importation and handling of Miss High
Stepper (now Rose Marie) she understood to be figurative. This was
not fact to which she was listening; it was poetry—parable; and she
answered in parable of her own.
She kissed them both passionately, and hugged the pretty doll to her
with tears and with laughter, dwelling ardently upon each personal
beauty and each separate elegance of attire; the arch, expressive
eyes, the dainty tan shoes—all from Fort Worth; that is to say, all
found and purchased in, and brought to Hilda out of the blessed
country of Love and Good Faith.
CHAPTER V
POOR CHARLEY
Hank Pearsall, used enough to the drinking that belongs with life in
the western cattle country, the town outbreaks of hard-muscled
cowpunchers who live under the open sky, watched with dismay the
very different sort of drinking that his young employer indulged in.
After that miserable Fort Worth episode and the arrival of Rose
Marie, things were never quite so bad again. Charley eased up on the
trips to town, and to the hard-drinking ranches. The Sorrows was
already so crippled, its resources so reduced that a day of
reckoning must certainly be at hand; but Hank knew that no more land
was being sold, no more big sums borrowed on mortgage. And again Van
Brunt made spasmodic efforts to interest himself in the ranch work.
To the old man at this time Charley had the pathetic charm of a
repentant child. The entire household management had slipped into
the boss’s hands; Hank was but fifty-two, yet he seemed like an
indulgent father with an incompetent son and his family in charge.
Public-domain text, read in full here on John Shaqi.
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