A guide to the Cathedral Church of Saint John the Divine in the city of New York: Fifth EditionHall, Edward Hagaman
Religion
A guide to the Cathedral Church of Saint John the Divine in the city of New York: Fifth Edition
Hall, Edward Hagaman
Cathedral of St. John the Divine (New York, N.Y.)
=The High Altar= is of white Vermont marble. The beautiful Gothic
_Reredos_ is of pierre de Lens, quarried in the vicinity of the city of
that name in the north of France which was so terribly ravaged in the
late war. In the center is a majestic figure of Christ. On His left, (in
order from center to spectator’s right) are Isaiah, Jeremiah, Ezekiel and
Moses, representing the Old Testament; and on His right (in order from
center to spectator’s left) are St. John, St. James, St. Peter and John
the Baptist, representing the New Testament. The scale of the Cathedral
may be judged from the size of the figure of our Saviour, which is seven
feet high. Those of Moses and John the Baptist are 6 feet 10 inches high.
In smaller niches on the front and sides are 16 angels holding various
emblems—palm, sword, shield, swinging lamp, crown, trumpet, etc. Under
the pedestals of the statues are clusters of grapes, symbolizing Him who
gave His body and blood for man. The statue of Christ was made by Sig.
Leo Lentelli under the direction of Mr. Carl Bitter. The other figures
were made by Mr. Otto Jahnsen. The great rectangular panel in the lower
part of the Reredos is filled with a rare Spanish embroidery in arabesque
design, 200 years old. The Altar and Reredos were built by the Barr, Thaw
& Fraser Co. Upon the Altar is the following inscription:
“To the Glory of God ‖ and in Memory of ‖ Anna Livingston ‖
Morton ‖ 1846-1918.”
[Illustration: THE HIGH ALTAR]
=The Credence Table=, at the right (south) side of the High Altar, is
supported by a shaft composed of three stones from the ruins of the
ancient Abbey of Bury St. Edmunds, England, in which the Barons met on
November 20, 1214, and swore before the altar to secure from King John
the liberties which they embodied in _Magna Charta_. These relics are of
Caen stone, and may be recognized by their gray color. They were given to
the Cathedral in 1922, with the consent of the Abbey authorities, by the
Marquis of Bristol through Dr. Raphael Constantian of New York. Near the
shaft is the following inscription:
“The Adjoining Shaft ‖ Was Once a Part of ‖ the High Altar
of the ‖ Abbey of Bury St. Edmunds ‖ Upon Which on ‖
November 20, 1214, ‖ the Barons Swore Fealty ‖ to Each Other
in Wresting ‖ the Great Charter ‖ from King John. ‖ It is
Placed Here ‖ as a Symbol of ‖ the Community of ‖ Political
Tradition, ‖ Laws and Liberties, ‖ Which is the Inheritance
‖ of the English Speaking ‖ Commonwealths ‖ Throughout the
World.”
[Illustration: Credence Table with Shaft made of Magna Charta Stones]
Public-domain text, read in full here on John Shaqi.
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