A guide to the Cathedral Church of Saint John the Divine in the city of New York: Fifth EditionHall, Edward Hagaman
Religion
A guide to the Cathedral Church of Saint John the Divine in the city of New York: Fifth Edition
Hall, Edward Hagaman
Cathedral of St. John the Divine (New York, N.Y.)
=The Eight Great Columns= standing in a semicircle around the Sanctuary
and forming seven interspaces opposite the seven Chapels of Tongues, are
among the marvels of the Cathedral. They are approached in size only
by those in St. Isaac’s Cathedral, Petrograd. The shafts of light gray
granite from Bear Island, near Vinal Haven on the coast of Maine, were
quarried as monoliths and turned on a special lathe which cost $50,000.
When the first two were subjected to the pressure of polishing they
broke, and the contractor then obtained permission to make the shafts in
two pieces. The lower stone in each shaft is 38 feet high and weighs 90
tons, and the upper stone is 17 feet high and weighs 40 tons, the total
height between base and capital being 55 feet and the weight 130 tons.
The octagonal capitals of pierre de Lens by Mr. Post represent singing
angels. The columns were given as memorials of the men whose names are
carved on the bases seen in the Ambulatory (south to north:) “Alonzo
Potter,[26] Bishop of Pennsylvania, 1800-1865;” “Colonel Richard Tylden
Auchmuty, U. S. V., 1831-1893;” “Harry Manigault Morris, 1817-1892;”
“Eugene Augustus Hoffman, 1829-1902;” “John Jacob Astor, 1763-1848;”
“John Divine Jones, 1814-1895;” “Josiah Mason Fiske, 1823-1892;” and
“Joseph Lawrence, 1788-1872.” Each column cost $25,000, not including the
expense of erection. They were made by Mr. John Pierce of Vinal Haven,
Me.
=The Clerestory Windows= of the Choir, nine in number, of which seven
are above the entrances to the seven Chapels of Tongues, are designed
to depict the Book of Revelation of St. John the Divine. Seven of them
are in place. They are of painted mosaic glass made by Messrs. James
Powell & Sons of Whitefriars, London, according to the methods used in
the thirteenth century and cost $10,000 and upwards apiece. Each window
is of three lights with rose window at the top, and is 28 feet high and
17 feet wide. The seven windows above the entrances to the Seven Chapels
of Tongues (north to south) are designed to symbolize in their circular
lights the messages to the seven churches in Asia mentioned in the
Book of Revelation (i. 11), in the order there named: Ephesus, Smyrna,
Pergamos, Thyatira, Sardis, Philadelphia and Laodicea. They are connected
by the inscriptions in their lower borders which read consecutively as
follows:
“Grace be unto you and Peace from Him ‖ Which is and Which was
and Which is to come ‖ From the Seven Spirits which are before
His throne ‖ Jesus Christ the Faithful Witness ‖ The First
Begotten of the Dead ‖ The Prince of the Kings of the Earth.
‖ To Him be Glory and Dominion for ever and ever” (Rev. i.
4-6).
Public-domain text, read in full here on John Shaqi.
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