These windows, which are of surpassing charm to the unaided eye, flash out with extraordinary brilliancy of color and affecting beauty of composition and execution, particularly those called “Christ Reigning in Glory” and “the Woman in the Sun,” when examined with long distance glasses (apply to Verger), although the less brilliant windows contain subtle details well worth studying, as, for instance, the symbolisms of the elements held by the angels in the window above the Chapel of St. Boniface. Individually, from north to south: =St. John and the Seven Churches= are the subject of the window above the _Chapel of St. Ansgarius_. In the upper part of the central light, St. John between two praying angels is depicted in the character of Apostle, beardless, and holding the sacramental cup—the young St. John, symbolical of love and high ideals and the feeling which filled all his writings; while in the lower part he appears as the aged exile on the Isle of Patmos, sitting with book in lap and pen in hand, listening to the angel behind him who commands him to write (Rev. i. 11). In the side lights are the angels of the seven churches (i. 11), bearing on scrolls their names: (Upper left) Ephesus; (lower left) Smyrna and Pergamos; (upper right) Thyatira and Sardis; (lower right) Philadelphia and Laodicea. In the circular light at the top are the name “Ephesus” and a shield bearing the seven candles mentioned in the message to the church of Ephesus (ii. 1). In the lower border of the three lights runs the inscription: “Grace be ‖ unto you and Peace ‖ from Him.” The window was given by Mrs. E. C. Ludlow Johnson in memory of Gabriel Ludlow. =The Natural Elements= upon which the vials of the wrath of God were poured (Rev. xvi. 2-17) are the principal subject of the window above the _Chapel of St. Boniface_. In the lower part of the left side light is an angel holding between his hands the earth (green foliage); in the middle light three angels respectively holding the air (invisible), the sun (yellow glow), and the sea (green waves); and in the right side light an angel holding the rivers and fountains (blue currents). In the upper part of the middle light is the Lamb that was slain (v. 12) between the four beasts (iv. 7) which are in the side lights—on the left, the lion and the beast with the face of a man; and on the right, the ox and the eagle.[27] In the circular light at the top are the word “Smyrna” and a shield bearing the crown of life mentioned in the message to the church in Smyrna (ii. 10). In the bottom border is the inscription: “Which is and ‖ Which was and Which ‖ is to come.” A tablet in the Ambulatory reads as follows: “The Clerestory Window Above ‖ the Chapel of Saint Boniface ‖ is Dedicated ‖ to the Glory of God ‖ and ‖ in Loving Memory of ‖ Annie Allen Wallace ‖ February 14, 1853-August 25, 1890.”[28]