A guide to the Egyptian collections in the British MuseumBritish Museum. Department of Egyptian and Assyrian Antiquities
History
A guide to the Egyptian collections in the British Museum
British Museum. Department of Egyptian and Assyrian Antiquities
Egypt -- Antiquities
The =palette=, in Egyptian _mesthȧ_ 𓐝𓊃𓍘𓇋𓆱, usually consisted of a
rectangular piece of wood, from eight to sixteen inches long, and from
two to three broad, at one end of which were sunk a number of oval or
circular hollows to hold ink or paint. Down the middle was cut a groove,
sloping at one end, in which the writing reeds were placed; these were
kept in position by a piece of wood glued across the middle of the
palette, or by a sliding cover, which also served to protect the reeds
from injury. A very good collection of palettes is exhibited in the Third
Egyptian Room, Table-case C. Of special interest are the palettes of
Ba-nefer, of the reign of Pepi II, B.C. 3200 (No. 12,782); the palette
of Ȧāḥmes I, the first king of the XVIIIth dynasty, about B.C. 1600 (No.
12,784); the palette of the scribe Pa-mer-ȧḥau, who lived in the reign of
Ȧmen-ḥetep III, about B.C. 1450 (No. 5513); and the palettes of Ȧmen-mes
(No. 12,778) and a scribe (No. 5514), who lived in the reign of Seti I
and Rameses II respectively. The hollows for the ink, or paint, generally
black and red, are usually two in number, but some palettes have a dozen.
The inscriptions on palettes usually contain prayers to the great gods
of the Other World for sepulchral offerings; but sometimes they are
dedications to the god Teḥuti, or Thoth 𓅝𓏏𓏭𓀭, to whom the invention of
the art of writing is attributed. The =writing reed=, in Egyptian _qesh_
𓈎𓈚𓌟𓆭, which served as a pen, was about 10 inches long, and from ⅟₁₆th
to ⅛th of an inch in diameter; the end used for writing was bruised and
not cut. After the XXVIth dynasty, an ordinary reed, similar to that used
in the East at the present day, was employed, and the end was cut like
a quill, or steel pen. The ordinary palette will hold about ten writing
reeds easily. The =ink= was made of mineral or vegetable substances mixed
with gum and water. The earths, or ochres, or preparations of copper,
were rubbed down on slabs with little mullers, several of which may be
seen in the Third Egyptian Room, Table-case C. The =ink-pot= was called
_pes_ 𓊪𓊃𓎺, and was usually made of faïence or porcelain. The hieroglyph
𓏟 represents the palette, an ink pot, and a reed, united by a cord; the
whole stands for “scribe” and “writing.”
[Illustration: Slab of limestone inscribed with a draft of a deed. Dated
in the reign of Ḥeru-em-ḥeb, about B.C. 1400.
[No. 22, Table-case C, Third Egyptian Room.]]
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